The fraternal duo of Arnaud and Jean-Marie Larrieu have been making films together for around 25 years. An early featurette of theirs, Roland’s Pass…
In Retreat, the debut feature from Iranian-born Ladhaki director Maisam Ali, is the sort of film one hates to be negative about. It’s made…
The Cannes Film Festival has a reputation (not entirely undeserved) for skewing its selections toward the more abstruse, audience-unfriendly end of the international cinema…
Many critics’ wrap-ups from the 2023 edition of Cannes included dismissive language directed at Ken Loach’s new film competition film, The Old Oak. As…
Moral judgments in artwork tend to be tinged in shades of gray. This is sometimes expressed by citing Jean Renoir’s unofficial motto that “everyone…
The Shameless feels very much like an art-sploitation entry from the mid-’90s, when directors thought that a frank depiction of lesbian desire, in and…
There have been a number of “lockdown movies” since the outbreak of Covid, and most of them have been unfortunate affairs. While it’s true…
In her previous film Wet Sand, Georgian director Elene Naveriani depicted a clash between the urbane, laid-back values of Tbilisi and the small-minded cruelty…
One of the unique features of Emilia Beatriz’s new film barrunto is the omnipresence of sur- and subtitles, translating between Spanish and English, differentiating…
Pierre Creton’s acclaimed 2017 documentary Va, Toto! was, among other things, an examination of the lives of elderly gay men in rural France, depicting…
In 2000, Swedish director Roy Andersson premiered a film entitled Songs From the Second Floor. In a series of stationary camera set-ups, the film…
There’s really nothing wrong with The Permanent Picture, the debut feature from Catalan director Laura Ferrés. It features two skillful lead performances, is exceedingly…
The sophomore film from Brazilian director André Novais Oliveira is a charming cinematic miniature that observes the unfolding of an ordinary day that potentially…
The title of Woody Allen’s latest film translates as “a lucky break,” and that’s an apt enough way to characterize his ability to line…
Prior to the premiere of The Old Oak at Cannes back in May, Ken Loach indicated that this would be his last feature film.…
Steve Buscemi’s directorial efforts have tended to focus on outsiders and castoffs. In his 1996 debut, Trees Lounge, the hopeless and downhearted congregate at…
Achilles, the debut feature from Iranian director Farhad Delaram, is fairly unusual in a number of ways, often displaying a frankness regarding oppression that…
Even in New York, there often seem to be more experimental films and videos out there than any single venue could ever hope to…