Gábor Reisz’s latest film is Hungarian through and through, but despite that, it feels very much like a sanded-down Romanian one. In fact, some…
The syntactically redundant title of Tomonari Nishikawa’s latest film provides a subtle hint as to what the filmmaker is up to. If one watches…
Now in its third consecutive year, the Light Matter Festival has become a major East Coast showcase for experimental film and video, presenting a…
Godfrey Reggio is a filmmaker whose best-known work could be seen as a forerunner of the experimental documentary style that has become so widespread…
Haitian director Raoul Peck has made some formally daring feature films, but his documentary work has tended to be a bit more subdued, preferring…
After his disappointing 2021 film The Restless, a film in which a story of an artist’s manic episodes mostly provided an opportunity for actorly…
Looking over the 25 years’ worth of productions by French-Canadian auteur Denis Côté, one discerns a kind of creative restlessness. Not only is Côté…
In modernist art cinema, there has been a minor tradition of self-portrait films, and naturally they have been as different from one another as…
David Depesseville’s debut feature, Astrakan, is a film that is at once deeply humanist and utterly pitiless. Essentially a character study, the film depicts…
Jennifer Reeder’s new film Perpetrator has received some very strong reviews at Berlinale, and to be honest, it takes a while to figure out…
Kamila Andini’s latest film considers the tragedy of life in her home nation of Indonesia. But despite this scope of Before, Now & Then,…
French documentarian and academic Sylvain George has been making a particular kind of film for nearly twenty years, carving out a specific cinematic niche.…
The directorial duo of Tizza Covi and Rainer Frimmel have been regulars on the festival circuit for the better part of twenty years, but…
In 2020, French director Mathilde Girard released Episodes — Spring 2018, a half-hour film that played like a fictionalized diary and was notable for…
Argentinian filmmaker Gustavo Fontán has produced fourteen feature films since 2003, but still hasn’t broken through on the film festival circuit in a substantial…
In many respects, Basma Al-Sharif’s 2017 feature Ouroboros was a broad summary of the themes she had explored in her experimental shorts over the…
In Miranda Pennell’s latest essay film, the filmmaker carefully plaits a number of seemingly distinct cultural and historical strands, and in so doing, offers…
Two years ago, French director Catherine Corsini was in Cannes’ Competition with The Divide, a film that used the deteriorating marriage of two well-heeled…