Meghan Remy, mastermind behind the experimental pop project U.S. Girls, has been on a trajectory of constant evolution since she began releasing music under her deceptive moniker in 2008. On Bless This Mess, the Chicago-born singer-songwriter dives into an elaborate fantasia constructed through retro, dance-flavored pop, with the therapeutic vulnerability of 2020’s Heavy Light and the dark emotional complexity of 2018’s In a Poem Unlimited seeming like blurry memories — sufficiently worked through and left in a less-than-pleasant past.
Published as part of InRO Weekly — Volume 1, Issue 9.
