Kristian Matsson, better known by his moniker The Tallest Man on Earth, returns with his sixth album of original songs, Henry St. Over the past…
Taken in its context as the opener and lead single of Everything But the Girl’s 11th studio album, Fuse, “Nothing Left to Lose” almost seems…
Nearly half a decade removed from a breakout, self-titled EP, boygenius returns with the record, the indie sad girl supergroup’s first full length. While said…
Karin Dreijer returns with Radical Romantics, their highly collaborative third album under the solo moniker Fever Ray — with production from heavy hitters like Trent…
Just as rock music has fallen out of fashion, Yves Tumor has become increasingly insistent on performing it. What does it mean to become a…
Meghan Remy, mastermind behind the experimental pop project U.S. Girls, has been on a trajectory of constant evolution since she began releasing music under her…
A pop star has to store a number of secret weapons in her utility belt. Lots of people can sing and dance, but what sets…
It’s been ten years since Kelela’s debut mixtape, Cut 4 Me, earned rave reviews She’s since produced a semi-regular output, with her first proper LP,…
In nearly four decades, New Jersey’s Yo La Tengo have never taken a real break, with the smallest gap between records being a measly four…
Hot off the heels of last year’s exceptional Living Torch, Kali Malone has delivered an album version of the previous live exclusive Does Spring Hide…
With a history of quick turnaround releases, Belle and Sebastian stays true to form and follows up last year’s A Bit of Previous with Late…
And in the Darkness, Hearts Aglow is a more spiritual and communal record for Weyes Blood, speaking to both the personal and universal with delicate…
Blue Rev might end up as 2022’s best indie pop release, as well as Alvvays’ best record to date. It took Alvvays, Canada’s most celebrated…
Surrender is a sophomore success that finds Rogers settling into herself as a person and as an artist. Maggie Rogers, fresh off a new master’s degree…
With Emotional Creature, Beach Bunny bucks the trend of TikTok music vapidity and delivers an impressive, sincere indie rock record. With Emotional Creature, Beach Bunny’s second…
MUNA’s self-titled latest is a clunky, uneven affair plagued by wild vacillations of quality and thoughtless lyricism. Synthpop has seen a huge revival in the…
Big Time feels like a the start of a new era for Angel Olsen, an reinvention record that realizes the sound it seems she has…
Clocking in a bit overlong and failing to reach Flume’s previous artistic peak, Palaces is nonetheless a breezy, catchy listening experience. The latest artist to…
A Bit of Previous executes a fine balance of evolution and reminiscence, revisiting the sounds of their early career from an appealingly more aged perspective. The…
Two Ribbons is a project that opens up new possibilities for Let’s Eat Grandma, not yet perfected but still showcasing smart lyricism and musicality. Let’s Eat…
For better or worse, Everything Was Beautiful is more of the same from Spiritualized. In spite of an announcement stating that they were through, Jason Pierce’s…