In his review for 7 Men from Now in Cahiers du Cinéma, Andre Bazin identified that like many of Budd Boetticher’s Westerns, this one…
Despite being full of traditional Western tropes — including images of riding horseback through the dusty American plains and violent shootouts in dingy taverns…
The staff of In Review Online have come to the collective decision to abide by the international call from Strike Germany. We will be…
With The Monk the Gun, director Pawo Choyning Dorji makes sure that viewers are fully aware of the film’s context by providing a barrage…
Following quickly after the opening credits to She is Conann — a rapid montage of freakish landscapes played to a hypnotic classical piece —…
Fabio D’Orta’s The Complex Forms opens with a long pan over a burning car, set to an audacious classical piece, that slowly flips 180…
In Johnny Guitar, Nicholas Ray’s phantasmagorical 1954 Western, it takes fewer than two minutes for a deafening explosion of dynamite to ring out. The…
Few directors have had a run of films as impressive as Abel Ferrara managed in the 1990s. In total, he released eight features during…
How I Became a Communist opens on a static shot of an elderly woman cleaning out the chimney of her rural Irish farmhouse. There…
Despite being born in Surrey, British director Peter Watkins has evolved into a nomadic artist, having lived in Sweden, Canada, Lithuania, and now residing…
Priest, politician, resistance fighter, and social worker Abbé Pierre remains one of France’s most popular figures, best known for founding Emmaus, a charity movement…
Kansas-born actor and director Dennis Hopper had an incredibly illustrious but volatile career after debuting in Nicholas Ray’s Rebel Without a Cause. Hopper worked…
Despite the French New Wave being widely considered obsolete by the 1980s, all of its directors remained active, finding varying degrees of success in…
There is little build-up to the opening of Kazuyoshi Kumakiri’s latest thriller, #Manhole. Within the first five minutes, unfortunate salesman Shunsuke Kawamura (Yûto Nakajima)…
In nearly four decades, New Jersey’s Yo La Tengo have never taken a real break, with the smallest gap between records being a measly…
An ominous POV shot that wanders around a loud and joyful wedding opens Let It Be Morning, although we’re not, as it turns out,…
When talking about the agonizingly slow death of his career, Orson Welles once claimed, “I began at the top and have been working my…
Glorimar Marrero Sánchez’s feature debut opens in a quixotic fashion, offering little exposition and dropping viewers straight into a scene of Noelia (Isel Rodríguez)…