The Wild Boys opens with a shimmering black-and-white title card, an homage to Kenneth Anger’s Fireworks, and voiceover that soon takes the viewer back to…
The year’s second major film addressing the particular evil of church-sanctioned gay conversion therapy, Boy Erased (based on a memoir of the same name) was…
After celebrated prestige pictures like Shame and 12 Years a Slave, you’d be forgiven for expecting something less disreputable from Steve McQueen than Widows. But McQueen’s normal tendencies…
In 1992, a group of teenage cinephiles in Singapore set out to make a film, gathering their friends and neighbors to assert their country’s place…
Outlaw King cribs elements from every other medieval epic you’ve seen before — and that pandering is probably the point. It’s safe to assume that Netflix is backing this film…
There’s nothing in You Were Never Really Here that you haven’t seen before — but as the saying goes, it’s not always what your story is that…
David Fincher’s The Girl With the Dragon Tattoo was less about the mystery of a serial killer picking off women, more about investigating its lead character, Lisbeth Salander. Nearly…
Distant Constellation focuses on a Turkish assisted living facility, whose barren halls visualize the tragic loneliness afflicting the residents, members of a forgotten generation whose…
Genre fans tend to experience a palpable delight the first time they lay their eyes on a new classic, getting them thinking about the first time they saw,…
Even for a career with no discernable lack of winter pictures (cf. The Day He Arrives, The Day After), Hotel by the River stands out…
Hong Sang-soo packs a surprising amount of variety, complexity, and beguiling mystery into the 66-minute runtime of Grass. The film provides a brief but dense…
Hong Sang-soo‘s first black-and-white film since 2011’s The Day He Arrives (which is indeed quite a while, considering the rate at which he works), The…
Of the three films Hong Sang-soo made in 2017, with actress and romantic partner Kim Min-hee, two were released in the U.S. in the spring…
On the Beach at Night Alone is Hong Sang-soo’s most sensitive character study since Nobody’s Daughter Haewon, and in the context of his relationship with…
In Yourself and Yours, we find Hong Sang-soo amusing himself by writing scenes that are completely ambivalent in nature, mainly due to having lead actress…
Distilled down to a one-sentence summary, the calmly melancholic Right Now, Wrong Then is the very essence of a Hong Sang-soo film: A bibulous director…
Do we really need another portrait of a frustrated sad-sack young man, even if it comes in the form of one of Lee Chang-dong’s typically…
While bigscreen superheroes may stoke our fantasies of being something greater than we are, seeing more empathetic characters in that same space allows for an…
Let the Sunshine In is an exquisite romantic comedy in part because its laughs are sad and its sadness is funny. Claire Denis isn’t a…
Whatever its flaws (and they are myriad), director David Gordon Green’s Halloween is certainly a good looking film: Cinematographer Michael Simmonds mimics John Carpenter’s 1978 original…