As a director, Jérémie Périn has made a splash in the realm of music videos, namely for his contribution to the song “Fantasy” by French…
Slow, Marija Kavtaradzė’s second feature film, finds solace in the physicality that builds a world around its audience. The opening moments find a man mounting…
Four films into any series, you either change or die, and the copaganda finally outruns the action choreography in the fourth installment in The Roundup…
The objective of any piece of art is to make us realize that the world is bigger than the inside of our own head. The…
Moritz Mohr’s new frenetic action-comedy Boy Kills World feels critic-proof inasmuch as anything one might single out as a negative could very well be spun…
Boutique label Severin Films’ documentary Woodlands Dark and Days Bewitched — a supplement to their massive and beautiful box set of folk horror films —…
What would Andrew Tate or the late Theodore J. Kaczynski make of Sasquatch Sunset? The litmus tests of this cinematic curio, which is more or…
It’s a family affair in Ethan Hawke’s Wildcat, with the actor-turned-writer-director building the film around his daughter Maya Hawke’s performance as Southern Gothic author Flannery…
In a 2020 essay by David Farrier, written at the very beginning of Covid lockdowns, the writer quotes Arundhati Roy, who calls the pandemic “a…
Scarcity, meet self-interest: with the rising threat of ecological collapse and the persistent wherewithal to do little about it, dystopian scenarios have increasingly sought the…
In 2000, Swedish director Roy Andersson premiered a film entitled Songs From the Second Floor. In a series of stationary camera set-ups, the film shows…
In her 1977 essay collection On Photography, Susan Sontag argued that the abundance of photographic images in our culture had begun to engender “a chronic…
Zack Snyder’s Rebel Moon: Part 2 – The Scargiver is less the conclusion to the director’s epic two-part techno-fantasy than a post-mortem. If it’s the…
Today we understand the university to be a uniquely reactive flashpoint for the major social, political, and generational battles defining the contemporary world. Yet in…
Many critics have already labeled Joanna Armow’s laboriously titled The Feeling That the Time For Doing Something Has Passed a “millennial” comedy (a fitting alternate…
It’s undeniably passé — and often critically fruitless — to note the difficult “art of adaptation” when it comes to translating literature for the screen,…
One of the great “what ifs?” for filmgoers of a certain age is the now somewhat faded-from-memory Robert Rodriguez/Quentin Tarantino collaboration From Dusk Till Dawn,…
Of all contemporary genres, horror seems the most susceptible to pastiche and the endless recycling of familiar tropes. Sequels and reboots are released at an…
Guy Ritchie has always been a bit of an aggressive but empty stylist. Right out of the gate with Lock, Stock and Two Smoking Barrels,…
Imtiaz Ali, classified as an auteur for skewering the conventional (in)sensibility of Bollywood’s melodramatic romances, is actually somewhat unclassifiable. He began his career in the…
A specter is haunting cinema — that of commercial modernity. The media powers of the hyper-modern world, unlike the institutions of Old Europe with Karl…