Queen Elizabeth II’s love of horses is well known. She even made the trek to Kentucky five separate times during her reign to visit…
In 2002, Olivier Assayas’ Demonlover premiered in competition at the Cannes Film Festival to a storm of controversy, eclipsed — for better or worse…
There’s a reason spacecrafts are often the setting of horror stories: they are the ultimate locked room. No matter what threatens you inside, there…
From HAL’s unrelenting utilitarianism to Demon Seed’s Proteus longing for physical form beyond its servers to Margeaux’s desire to understand humans completely by murdering…
2024 has been a good year for nostalgia-driven genre cinema so far. Especially with the widespread popularity of films like I Saw the TV…
Cinema certainly offers no shortly of coming-of-age films, yet very rarely do any of them rise above qualified praise to break the mold and…
Reagan, directed by Sean McNamara and based on the 2006 Paul Kengor book The Crusader: Ronald Reagan and the Fall of Communism, accounts for…
At a moment of especially heightened anxiety occurring — when else? — during Shabbat dinner, one of Between the Temples’ wiser characters offers a…
The dying days of French colonial rule are given ironically youthful life in Robin Campillo’s Red Island. Set in the early 1970s in Madagascar,…
On the heels of this past spring’s I.S.S., the summer season brings us another lower-budget, space-bound indie thriller, Slingshot, starring Casey Affleck in what’s…
Few films have left as influential of a legacy on their country of origin as the 2002 Brazilian classic City of God. Co-directed by…
This critic has often compared Dominique Abel and Fiona Gordon’s films to the work of Jacques Tati, but in their latest film, The Falling…
Two British women, one affluent and childless, the other impoverished and seven months pregnant with a brood already at home, reconnect after decades, having…
For its first 10 to 15 minutes, Audrey Cummings’ reversionistic feminist Western Place of Bones proves to be surprisingly perplexing. A lot of this…
“Starting positions” was the ominous refrain Dale Cooper’s evil doppelgänger used, in David Lynch’s Twin Peaks: The Return, during an arm wrestling showdown; something…
“Our daddies are our mirrors that we reflect back on when we decide about what type of man we deserve and how they see…
First things first: it will be important to remember, going forward, that John Woo’s 2024 movie The Killer, despite being a remake of his…
All the markers of a classic Coen Brothers’ crime comedy are there in Potsy Ponciroli’s Greedy People — the third film released this year…