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Abbas Kiarostami

by InRO Staff Feature Articles Film Year in Review

Top 20 Films of 2013

For a while, it seemed like 2013 had front-loaded its highlights; many films making our Top 20 either played the festival circuit in 2012 before finally getting their official theatrical runs Stateside (Like Someone in Love, Frances Ha, and our top pick) or they premiered…

by Calum Marsh Retrospective

Certified Copy | Abbas Kiarostami

To engage with something critically is to assume, despite any post-structural handwringing, that the works with which we’re engaged contain some essential truth. That’s the conceit of all criticism: beyond projections of the reader, the personal prisms through which X looks like Y and vice versa, we’re required…

by Tina Hassannia Retrospective

Shirin | Abbas Kiarostami

You’re not allowed to know the Iranian Woman. Not truly, anyway—not personally, and don’t even think about intimately. Not in public. In public, you must treat her with “respect,” which apparently means pretending she doesn’t exist—you mustn’t make eye contact. As a female tourist in Iran, you spend…

by Daniel Gorman Retrospective

10 on Ten | Abbas Kiarostami

There’s at least a few reasons for the near total lack of critical interest in Abbas Kiarostami’s 10 on Ten, not the least of which is its near unclassifiable nature. It’s not quite an essay film, at least not in the Chris Marker sense,…

by Kenji Fujishima Retrospective

Five Dedicated to Ozu | Abbas Kiarostami

Even in his earlier, more relatively conventional films, Abbas Kiarostami always maintained an eye for radical formal experimentation. Close Up, for instance, is as much a meditation on the possibilities of fiction in capturing reality as it is a moving docudrama about an ordinary…

by Daniel Gorman Retrospective

Ten | Abbas Kiarostami

In an interview with Jonathan Rosenbaum and Mehrnaz Saeed-Vafa, Abbas Kiarostami recited a verse from the poet Rumi: “You are my polo ball, running before the stick of my command. I am always running after you, though it is I who make you move.”…

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