Drive My Car Ryusuke Hamaguchi has fast become one of the more dependable filmmaker’s regularly working the international festival circuit, ever since he broke big…
Deception A long pursued passion project, Arnaud Desplechin’s latest picture adapts Philip Roth’s 1990 slippery, erotic novel, Deception, into cinematic form for the first time.…
Onoda, 10,000 Nights in the Jungle Every pronouncement that points to a Second Coming ruptures the human sense of linear temporal experience, pulling one out…
In Front of Your Face The films of Hong Sang-soo, ever so magical yet construed from the affairs of quotidian encounters, every minimal gesture compounding…
France Bruno Dumont’s monumentally titled France takes the director’s search for spiritual transcendence amidst everyday violence into a new zone of satiric melodrama. Having taken…
The Tsugua Diaries The Tsugua Diaries would be considered quite the swing for most any other director, but for Miguel Gomes, here partnered with documentarian…
Moneyboys A tacked-on melancholy shoulders, for the most part, the dramatic weight present in C.B. Yi’s carefully composed and frequently arresting first feature. Moneyboys, as…
Bergman Island Mia Hansen-Løve’s Bergman Island is, quite literally, an insular film. Set almost entirely on the island of Fårö, where the legendary Swedish filmmaker…
Cow Depending on your perspective — and depending on the film — Andrea Arnold’s cinema vacillates between kitsch and kitchen sink, her intended brand of…