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    Pulp on Film: How Two Filmmakers Helped
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    Masters and Slaves: Liliana Cavani’s The Night Porter
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    Aristocratic Buffoonery, Class Identity, and Romantic Foibles: Jacques Doniol-Valcroze’s A Game for Six Lovers
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Christopher Spencer-Lowe

Browsing
- by Lawrence Garcia

Vancouver International Film Festival 2016 – Future // Present

October 28, 2016
  • Recent Reviews

    • The Naked Gun — Akiva Schaffer [Review]

      - by Matt Lynch July 31, 2025

    • Happy Gilmore 2 — Kyle Newacheck [Review]

      - by Ethan J. Rosenberg July 30, 2025

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      - by Luke Gorham July 25, 2025

    • Diciannove — Giovanni Tortorici [Review]

      - by Chris Cassingham July 25, 2025

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      - by Padaí Ó Maolchalann July 25, 2025
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      August 2, 2025 - by InRO Staff
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    • Nostalgia and Contemporary Critique: Peter Bogdanovich’s Targets

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    • To Fight Against Historical Amnesia: Park Chan-wook’s Lady Vengeance

      - by Jawni Han July 25, 2025

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    • No Trace of Humankind: Todd Hayne’s Safe

      - by Robert Stinner July 4, 2025

    • Operatic Emotion & Melodramatic Coincidence: Paul Thomas Anderson’s Magnolia

      - by Dhruv Goyal June 26, 2025
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