The first two Will Hindle films that were shown in the complete recent Chicago retrospective Unknown Nostalgia (organized by InRO contributor and Tone Glow editor-in-chief Joshua Minsoo Kim)…
In folklore on film, the peasant girl laboring for ungrateful people has been situated in several variations of Cinderella. One of cinema’s most active…
In the recent Motion Over Pictures: Two Evenings of Fred Worden retrospective at New York’s Spectacle Theater (co-organized by Paul Attard and Stephen Cappel,…
Last night, I had a dream. A marquee glowed orange-tungsten. Large black letters: JURASSIC PARK. I was there with my son Aphid. We were…
In 1892, Ruth Belville took up the family business. It was a trade inherited from her mother, first founded by her father. He had…
“What happened is true. Now the motion picture that’s just as real.” The theatrical release poster for Tobe Hooper’s 1974 horror milestone lured audiences…
Brad Dourif, known for his madman characters and many cinematic iniquities, is, it’s easy to forget, capable of staggering eclecticism. His career, unimpeachable, daring,…
As with all great films, crime dramas, at their best, are much more than the machinations of their dense plots. Some of these films…
Some say the banners of John Talbot flutter still, upon the fields of Castillon. But you did not stay to witness them. Honorable demise…
Robert Beavers’ 18-film cycle My Hand Outstretched to the Winged Distance and Sightless Measure, comprising the majority of both his filmography and a recent…
Awaara was restored in 4K by the National Film Archive of India (NFDC) under National Film Heritage Mission, a project undertaken by the Ministry…
Funny how tastes change. Grand Illusion was almost certainly the Renoir consensus pick for many years — it was a box office smash in…
The title card hovers over an image of trolley tracks rushing toward the camera. A lulling piano serenades the words Passing Strangers, both heralded…
In his introduction on his website, director Peter Waktins states that “The production and the organizing of [The Journey was] on a scale that…
In the canon of the silent cinema, only once has it been truly silent. The purifying beam of Dreyer’s The Passion of Joan of…
Let us begin as I started: in media res. Two moths, born far too late to appear in the flurry of wings that made…
“I see so much, burns my eyes.” – Godflesh, “Xnoybis” (1994) “I can see, I can see, I’m going blind.” – Korn, “Blind” (1994)…
The 1960s to early 1970s was a truly utopian moment. In the hangover of Imperial Japan, the concomitant decolonization of the “Third World,” and…