Enzo (Georgios Giokotos) and Magda (Astrid Drettner) are brother and sister, but they don’t always get along, and their rocky relationship has had its…
For several years, Austrian filmmaker Antoinette Zwirchmayr has alternated between rigorous visual filmmaking and a hybrid form of experimental narrative. She seems to be…
In Jessica Dunn Rovinelli’s newest short film, the director trains her camera on Australian critical theorist McKenzie Wark. On the audio track we hear…
Soundtracked by a recording of John Cage’s minimalist piano piece “Dream,” a rocky terrain sits next to a sprawling seascape. Cyclists cruise beachy pathways…
In 2020, French director Mathilde Girard released Episodes — Spring 2018, a half-hour film that played like a fictionalized diary and was notable for…
Film often exists in a curious relation to the art world. Though there’s no formal distinction between film and video art or artists’ moving…
How I Became a Communist opens on a static shot of an elderly woman cleaning out the chimney of her rural Irish farmhouse. There…
Argentinian filmmaker Gustavo Fontán has produced fourteen feature films since 2003, but still hasn’t broken through on the film festival circuit in a substantial…
Nicolas Klotz and Elizabeth Perceval’s new film, New World! (The World Anew), was shot on Ushant, an island off the coast of Brittany where…
Having premiered at the Berlinale earlier this year and going on to win the 2023 Caligari Film Award — supplemented by the almost parodic…
In many respects, Basma Al-Sharif’s 2017 feature Ouroboros was a broad summary of the themes she had explored in her experimental shorts over the…
Fadhel Messaoudi (played by himself) is in a fatal car crash. His soul ascends to a purgatorial stasis, imagined via the images of interrogation…
The familiar chime of a Skype tone soundtracks a procession of festival laurels and production logos. Then, the sound swiftly vanishes, replaced by silence…
Hamburg-based, multi-disciplinary artist Martha Mechow makes her feature film directorial debut with Losing Faith, an ecstatic portrait of womanhood breaking free from societal norms…
If language is something you acquire — as a child, learning the “meaning” of words and how they fit and flow together — then…
For the Dutch philosopher Baruch Spinoza, the world comprised a single substance, and that substance was God. “Except God,” he wrote in the treatise…
In Miranda Pennell’s latest essay film, the filmmaker carefully plaits a number of seemingly distinct cultural and historical strands, and in so doing, offers…
In Michael Salerno’s The Masturbator’s Heart, death is an unshakeable temptation so vivid it becomes an obligation. It’s a remedy, a return to total…