Borrowing from J.G. Ballard’s metaphorical scaffolding — as outlined in the author’s social-horror novel, High-Rise (and its mismanaged film adaptation) — Galder Gaztelu-Urrutia’s conceptually similar,…
Our fourth dispatch from the 2019 Toronto International Film Festival (here’s our first, our second, and our third) skews heavily Canadian: Atom Egoyan’s latest, lurid…