Despite the French New Wave being widely considered obsolete by the 1980s, all of its directors remained active, finding varying degrees of success in adapting…
Our contemporary understanding of film noir tends to valorize the intricate psychological dimensions present within its frames of black and white — dimensions which lend…
There is perhaps no bolder album title in all of 20th century music than Ornette Coleman’s The Shape of Jazz to Come. And what’s more,…
It seems safe to say that we’re currently experiencing a remarkable resurgence of interest in Jacques Rivette; long the most mysterious of all the Nouvelle…
Luis Buñuel’s Los olvidados, released, rather perfectly, at the midpoint of the century, is perhaps one of the most uninviting kickoffs to a director’s second…
In Starboard Wine, Samuel Delany proposes that “we need images of tomorrow, and our people need them more than most.” Queer life, as it were,…
In an era when any slob with a next-day delivery synth can create bleep-bloops in their bedroom and go viral overnight, the musical and technological…
Bill Forsyth may have to bear the reductive, buzzy distinction of having “put Scottish cinema on the map,” but he at least did so with…
For this writer, a personal cinematic pet peeve is when characters fire guns only for the bullets to seem to dissipate, never hitting anything. John…
The post-independence era was a turbulent one for the small island nation of Jamaica. Having gained freedom from the British in 1962, the following decade…
An auteurist’s dream, the films of David Cronenberg have continued to express their creator’s psychosexual pet themes for half a century now, nearly without deviation.…
When talking about the agonizingly slow death of his career, Orson Welles once claimed, “I began at the top and have been working my way…
“I come from the tail end of that generation in advertising when there was usually an unfinished novelin the lower desk drawer. It was still the glory days of the…
Last year marked the 25th anniversary of the Notorious B.I.G.’s second studio album, Life After Death (1997) — the sequel to the Brooklyn rapper’s 1994 debut, Ready…
When Rob Zombie’s House of 1000 Corpses was released in 2003 (following numerous distribution delays by its original producer Universal Studios due to objectionable content),…
“READ ME”: a visage lit in orange glow, hands, bodies, hands caressing bodies, the twinkling lights of a Christmas tree, the two words blinking mutely from a…
Writing for the New York Times in 1997, film critic Janet Maslin called Harmony Korine’s directorial debutGummo the “worst film of the year” — no small…
If the arc of the moral universe indeed bends toward justice, then there just might have been a sliver of proof in the sold-out screening…
Has there been a director so wildly prolific as Johnnie To in our modern era? Hong Sang-soo comes to mind, albeit occupying a radically different…
In 1968, Richard Fleischer democratized the participants of the crime procedural with The Boston Strangler, spearheading a new school of form as applied to the…
French auteur Jacques Rivette’s relationship to novelist Honoré de Balzac lasted throughout his entire life. His fascination first made its way into his directorial work…