Though comfortably placed in the more adventurous screening programs at film festivals, Eduardo Williams’ work has also managed to stand proudly independent of the…
Lucy Kerr’s feature debut Family Portrait begins in media res, at the titular scene. There’s chaos, but initially the chaos is only visual. The…
Prior to the premiere of The Old Oak at Cannes back in May, Ken Loach indicated that this would be his last feature film.…
“You are a baby man.” Less an insult than an observation, these words spoken to Lousy Carter (David Krumholtz) by his ex Candela (Olivia…
To the uninitiated, written descriptions of Radu Jude’s cinema might give the wrong impression of his films as dizzyingly dialectical exercises requiring a complete…
As yet another Hong Sang-soo project makes the rounds, surely to be followed in four to six months by another, even newer film, it’s…
Essential Truths of the Lake As yet another Hong Sang-soo project makes the rounds, surely to be followed in four to six months by…
Korean director Hong Sang-soo’s lo-fi, low-key films seem to be increasing in ubiquity as reference points for young filmmakers. Nelson Yeo’s Dreaming & Dying…
French documentarian and academic Sylvain George has been making a particular kind of film for nearly twenty years, carving out a specific cinematic niche.…
Writing about Larry Fessenden’s new film Blackout, recently screened as part of the Fantasia Film Festival, we commented on its “shaggy structure” and noted…