It’s heartening to realize that in a year of seemingly constant death—one in which the passing of great filmmakers was no exception—the best films here seemed intent on never forgetting those losses, to mine the past and the passed for new inspiration in the present, and in movingly reverent ways. Our great new filmmakers looked to the old ones to guide them…
In a year most of us would rather forget for one reason or another, 2016 was welcomingly giving when it came to dispensing albums from some of both this and last century’s greatest performers. The sheer wealth of material this year means fantastic work like Leonard Cohen’s swan song, Young Thug’s most cohesive effort to date, and The Avalanches nearly two-decades-in-the-making second album won’t get the expanded…
Just another year gone by—except songs seemed particularly vital for getting through these last 12 months. Not that you need me to tell you, but we lost some of our greatest purveyors of the form in 2016, and if the 10 selections below can’t compensate—if there’s no “Kiss” or “Mama Tried” or “Modern Love” among them—most look struggle, and sacrifice, and the indefatigable march of time, head-on, as much a reflection of their times as the classics that came before them. And if a few…
What Kenneth Lonergan understands, probably better than any other writer-director working today, is how difficult it is to communicate grief in a convincing way on screen. With three feature films thus far, Lonergan’s acute exploration of coping mechanisms seems almost universal in scope, yet minimal in execution; with Manchester by the Sea, he’s crafted another incredibly…
Park Chan-wook’s career has largely been steeped in a particular fusion of twisty revenge narratives padded with philosophical implications. His latest, The Handmaiden, feels particularly lacking in the latter area. In a 1930s, Japanese-occupied Korea, Sook-hee (Kim Tae-ri) is hired by conman Fujiwara (Ha Jung-woo) to assist in stealing the fortune of a Japanese heiress (Kim Min-hee of…
Soon, just as there are plenty of adults who no longer remember a world before The Simpsons, nobody will recall a time when, for good or ill, there was not a new annual Star Wars movie. It’s no longer enough (neither for shareholders nor pop culture at large) to expect a new installment of the core saga every few years (let alone every other decade), so with Rogue One: A Star Wars Story, Disney kicks off a line of one-off adventures. This one, set…
