Larry Fessenden’s movies run amok with monsters. There’s the obvious, familiar monster: the vampire (as seen in 1997’s Habit), Frankenstein’s monster (as seen in 2019’s…
In any other context, an adaptation of A Christmas Carol should be a safe bet. You know the beats of the Dickens novella like you…
“Let’s make some content!” is a line heard in David Leitch’s absolutely dire new heist thriller How to Rob a Bank. It’s shouted by a…
The specter of the Gothic lurks in contemporary culture, so much so that the New York Times recently asked “Why Is Every Book ‘Gothic’ Now?”…
For the past decade, James Gray has been talked about in cinephile circles as the last great American (neo-)classist, the only auteur effectively continuing to…
The “small cast in one location” drama has been an advantageous route to follow for budget-confined filmmakers for as long as there have been independent…
It is a time of apparent magic. Two mega-budget adaptations of world literature classics were released in 2026, both unprecedented spectacles. The first, Nolan’s globe-trotting A-list…
For a while you could go to the Under Armour “brand house” on “The Baltimore Peninsula” and buy a shirt that said “Maryland Tough, Baltimore…
“Cinema has something premonitory about it,” says Elsa (Bárbara Lennie), the cult director-turned-adman at the center of Bitter Christmas. It’s a statement director Pedro Almodóvar…
Episode 4 · 50:54 · 3:00 preview Lee Chang-dong −15 +30 0:00 / 3:00 Preview over. Hear the full episode on Substack → With Possible Love now on Netflix, Hugo Emmerzael is joined by In Review Online contributors Padai Ó Maolchalann and Ethan J. Rosenberg to look back at the cinema of South Korean auteur
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The world is full of confounding, inexplicable places. Some of those places happen to be suburban Denver, Colorado. Crocodile Dose, the debut feature by Jason…
Let us establish at the outset that it’s gauche to talk about the Oscars in any context other than noting events from the historical record…
In 1977, Judy Heumann continued a trailblazing fight for disability rights with the 504 Sit-ins. The movement, helmed by Heumann, saw dozens of fellow activists…
In the Mouth, the sophomore feature from Cory Santilli (Saul at Night, 2019) is everything from a film noir to a prison escape thriller to…
Rare is the film that earnestly inspires you to hold your loved ones closer. Rarer still is the film that does so while making room…
Shin Godzilla exists in a class of its own, nearly experimental in its focus on political red tape in the face of a developing catastrophe,…
What’s the biggest mistake you’ve ever made on a night out? Those of us who’ve partaken in the odd intoxicating substance here or there might…
10 features into their directorial partnership — featuring nine documentaries — Jimmy Chin and Elizabeth Chai Vasarhelyi return to the place of their initial collaboration:…
With 2024’s Ghostlight, Kelly O’Sullivan and Alex Thompson took on one of the great challenges in narrative cinema: of depicting grief, that most personal and…
Reverberation usually describes the phenomenon of a reflected and delayed sound impulse that, attenuated to the perceiving ear, has diverged into different manifestations from its…
To every aspiring, established, even failed artist, the world is a mystery: a panoramic playground populated with playthings they can liberally enjoy, experiment with, or…