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Terence Davies

by InRO Staff Features

Year in Review 2017 – Film

December 29, 2017
Film Feature

The finest films of 2017 simultaneously offered us a respite from, and a deeper reflection on, our fraught and fractured social and political realities. In sharp contrast to our unfortunate tendency to segregate ourselves with social media-fueled enclaves and ecosystems that do little more than reflect our own thoughts, opinions, and POVs back at us ad infinitum, these films cut through all that, artfully, and often provocatively, reminding us of the common humanity we share even with those who would seem to…

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by InRO Staff Features

Top 10 Films of 2017 (So Far)

August 4, 2017
Logan

Deviating from protocol a bit with our timing (we swear we know when the halfway point of the year is), the following list is nonetheless our best approximation of a staff consensus for best films released from January to June of this year. Admittedly, the favorites skews toward auteurs, but few films bare much resemblance—a period biopic, a race-conscious horror film, a superhero deconstruction, and an intimate, maybe-ghost story (no, not that one) constitute a few of the movies we’ve championed.…

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by Lawrence Garcia Features Festival Coverage

Vancouver Film Festival 2016 – Dispatch 2

October 14, 2016
V63A0084-169 copy.jpg

The 35th Vancouver International Film Festival is past its halfway point and continues to deliver a refreshingly varied cinematic slate. This second dispatch covers three less-heralded films from the fest’s Dragons & Tigers program, and two higher-profile world cinema titles, the Olivier Assayas ghost story Personal Shopper and Terence Davies’ Emily Dickinson biopic A Quiet Passion. Also covered in this dispatch are…

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