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October 13, 2015

by Sam C. Mac Film

The Assassin | Hou Hsiao-hsien

At the core of Hou Hsiao-hsien’s cinema is a deep investment in the rift formed between an independent Taiwan and a possessive mainland China. Tender stories of unrequited romance (Three Times, Flowers of Shanghai) become bracingly political, and coming-of-age stories (The Boys from Feng Kuei, Millennium…

October 13, 2015
In Review | Online film and music criticism