When Ria Khan (Priya Kansara) holds a kung fu stance, it has the effect of transforming the rich colors, the intricate design, and the…
In This Issue: FEATURES: Small Mysteries: An Interview With Laura Citarella by Jesse Catherine Webber KICKING THE CANON: A Countess From Hong Kong (Charlie Chaplin) by Brendan…
Unfolded in twelve chapters and split into two parts, Trenque Lauquen includes across its 250-minute runtime a story of a missing woman possibly gone…
Documentaries don’t get much more hybrid than Dry Ground Burning, the new film from Adirley Queirós and Joana Pimenta. It’s a film about a…
As its title would have it, Plan 75 has a broad purview over the implementation and implications of its alternate, not-too-distant future. In this…
At first, it wasn’t necessarily clear how seriously one should take Zelooperz, his defining traits being “Internet rap oddball” and “Danny Brown protege.” Discovered…
Arriving just 70 seconds into the film, the inciting incident of Damián David Szifron’s To Catch a Killer might break some kind of informal…
After Jerry Seinfeld and his “What’s the deal?” color commentary on the silliness of the quotidian struck gold in Seinfeld, comedians started to habitually…
The stepmother is typically an outsider role in literature. Not so in Rebecca Zlotowski’s Other People’s Children. Adapted from Romain Gary’s novel, Your Ticket…
A beguiling amalgam of classic opera sensibility, modern dance performance, and Badlands-esque, lovers-on-the-run romantic tragedy, Benjamin Millepied’s Carmen is a deeply idiosyncratic and electrifying…
“Reality is that which, when you stop believing in it, doesn’t go away.” – Philip K. Dick With his bionic biceps threatening to split…
It’s hard not to see the Dead Ringers miniseries as yet another domino tumbling on the remake assembly line that turns everything from The…
Dexter Fletcher’s Ghosted is a high-concept romantic action comedy with movie stars and a decent budget that, were this 2005, would presumably have the…
In July 2020, The New York Times published an article by composer and music composition professor Marcos Balter that criticized the notion of calling…
Guy Ritchie’s The Covenant notably marks the first feature that has included the eponymous filmmaker’s name in the title itself, a rather curious development…
Seijun Suzuki made his name with a string of Nikkatsu-produced genre flicks — The Naked Woman and the Gun (1957), Voice Without a Shadow…
It’s a glorious time to be a fan of girl groups. UK trio FLO is paying homage to TLC and Aaliyah, and they’re poised…
As America stands on the brink of an illegitimate Supreme Court abolishing Roe v. Wade, abortion and women’s health rights have once again been…