Véréna Paravel and Lucien Castaing-Taylor’s De Humani Corporis Fabrica (The Fabric of the Human Body) is a veritable encyclopedia of the human form, a visual…
Eras in music are often as much defined by the music itself as by the dominant methods of discovery of the day. Every generation…
If Stephanie Meyer ruined emo vampires for you, how about this slightly tweaked version, wherein a vampire’s familiar walks into a Codependents Anonymous meeting?…
Rae Sremmurd was always undeniable. Exploding onto the scene nearly a decade ago, brothers Swae Lee and Slim Jxmmy delivered some of the most…
Japan is once again on the brink of picturesque collapse in the latest film from anime director Shinkai Makoto. Natural disasters, of course, have…
High-concept comedy Mafia Mamma comes courtesy of Catherine Hardwicke, a director who never met a potentially interesting premise she couldn’t sabotage with her bland…
Teenagers are awful — that’s an objective truth. Throw in a hefty dose of economic privilege, and you’ve got the recipe for some real…
Every weekday, middle-aged legal worker Andrew Rakowski gets in his car and commutes home through suburban Melbourne: and indeed, this constitutes the vast bulk…
In This Issue: FEATURES: A Dress Without the Knitting: An Interview With Rebecca Zlotowski by Sarah Williams The Blog Era: Haunted Halls of the Internet…
One of the many privileges of attending a film festival lies in watching the programs of shorts, cleverly curated such that one does not…
Some action movies are best watched in the afternoon, the way they used to be shown on American television in the days before infomercials…
It isn’t hard to believe that writer-director Kyra Elise Gardner’s Living with Chucky — a feature-length documentary about the venerable horror film series Child’s…
In case you couldn’t tell from the big goofy afro, pleasant demeanor, and paintbrush, the character of Carl Nargle in Brit Mcadams’ Paint, played…
By the time he helmed Silver Lode in 1954, Allan Dwan had been directing films for four decades, trying his hand at every genre…
Let’s say you wanted to define the dramatic stakes in Ben Affleck’s new, based-on-a-true-story movie Air. Start with the premise: it’s 1984, and Nike…
Though Travis Wilkerson is an American filmmaker, his subjects, methods, and tone mirror what’s called Third Cinema — politically charged movies made outside the…
Despite the steady repetition of themes that define Kelly Reichardt’s filmography (alienation, class, gender, the American West), her output has remained surprisingly unpredictable moving…
Saint-Narcisse isn’t LaBruce’s most audacious film, but it reflects a new, thoughtful instance of his particular audacity. There is surely more space in Hollywood for…