Another week, another disposable Netflix feature that barely registers even as you’re watching it, seemingly designed to evaporate upon release (all the better to…
It might be quite certain that the contemporary rom-com genre is far from its heyday. One simple and explicit reason for this is that…
The suburban opioid crisis, like the war on terror and the ‘08 financial collapse before it, finally gets the smug “explainer video” treatment. After…
An example of the laziness rife in digital filmmaking, Erige Sehiri’s Under the Fig Trees employs a haphazard handheld cinematography that echoes the immediacy…
The main question asked in Errol Morris’ newest film — a presentation of late author John le Carré’s final interview — is not posed…
Out of John Edward Williams’ three seminal novels — a trio of recently rediscovered bildungsromans about hapless young men who live uneventful lives (save…
Writing in 1924, the rhetorician and literary critic I.A. Richards remarked, in his Principles of Literary Criticism, on the “futility of all argumentation that…
The most revealing — in more ways than one — moment in Nyad, a biopic of the sixty-something marathon swimmer Diana Nyad, is a…
Blanket declarations about three-hour-plus runtimes always seem curious when filmmakers employ said length for wildly different purposes. Though the sweeping epic may be the…
Filmmakers have been trying to figure out how to follow in the cloven hoof-steps of 1973’s zeitgeist-exploding The Exorcist almost since it was released,…
Onyx the Fortuitous and the Talisman of Souls is a textbook example of the kind of short-form Internet meme-art that has no business attempting…
It’s easy to synopsize the minimal plot of the bizarre new South Korean whatsit The Fifth Thoracic Vertebra — fungus growing on a mattress…
Maestro When the 2018 remake of old Hollywood standby A Star is Born dropped, it marked the culmination of over a decade’s worth of…
After dipping his toes in the waters of English-language filmmaking, Yorgos Lanthimos makes his return to his Greek roots with Bleat, inviting a cadre…
James Benning, the legendary moving-picture artist known for his durational portraits of America, has made one of his most personal works yet. Shot not…
At least a decade too late to cash in on the YA franchise craze, David Slade’s Dark Harvest sputters into a limited day-and-date theatrical/VOD…
The fifth in filmmaker Mike Flanagan’s run of miniseries made for Netflix, The Fall of the House of Usher finds him returning to adaptation…
The future is forever in Divinity, Eddie Alcazar’s sci-fi experiment-cum-sophomore feature. Building on his first project’s purgatorial claustrophobia, and the technical feats of his…