Keith Jarrett’s Köln Concert is a sort of un-Sex Pistols at the Lesser Free Trade Hall: everyone at the Sex Pistols concert in 1976 started…
After a night on the town, her two guy friends, Mitch (Colin Burgess) and Noah (Kevin Grossman), try to take Rayna’s (Blu Hunt) keys so…
The story often told is that Gothic horror had been hung out to dry in the west by the late 1950s; the Universal horrors of…
I Know This Much is True is the 2020s best work of narrative art so far, unjustly buried by its just-exactly-wrong release over the course…
Based on the life of acclaimed 20th century lyricist Lorenz Hart, Richard Linklater’s Blue Moon has as much in common with one of the filmmaker’s…
Despite its almost apologetic title, the latest feature from Iranian filmmaker Jafar Panahi bears a highly incendiary load. Not quite a call to arms against…
You ready? Yeah, boot it. Strange Days should have launched Kathryn Bigelow’s career into the stratosphere. Having conquered land, sea, and air in 1991’s Point…
Needless to say, deliberately titling your film Bone Lake will automatically trigger suggestive connotations about the film’s potential content. Will the feature consist of a…
Critiquing the directorial efforts of well-known actors is trickier than it seems. For example, it’s impossible to ignore, especially at a festival as prestigious and…
Is This Thing On? Now three movies and seven years into his career as a filmmaker, the Philly transplant/West Village resident Bradley Cooper has featured…
As far as the so-called Berlin School is concerned, the films of Ulrich Köhler have mostly led a somewhat peripheral existence — which is less…
Plenty of films have traversed the anxieties of separation and national identity, specifically the question of what happens when a nation breaks up from within,…
Fields of Vision is the title for the fifth Currents program at NYFF this year, and it’s an appropriate title for the five short films…
The ceiling caves in at the outset of If I Had Legs I’d Kick You, the Rose Byrne-starring second feature from Mary Bronstein, her first…
For an age in which the threat of nuclear annihilation is so unmistakably present, it strikes one as quite strange how so few contemporary filmmakers…
Vijay Sethupathi is certainly the most versatile and interesting, not to mention basely pleasurable, “superstar” still kicking in the world cinema. His early performances for…
In his 1998 monograph on gay male identification with the Broadway musical, Place for Us: Essay on the American Musical, D.A. Miller identifies the archetypal…
Göran Olsson’s Israel Palestine on Swedish TV 1958-1989 is a remarkable documentary, if not purely for its access to decades worth of newsreels, interviews, and…
Following the critical success of 2018’s The Wolf House, directoral duo Cristóbal León and Joaquín Cociña have returned with The Hyperboreans, a papier-mâché melange of…
“Why do you want to dance?” a character asks Moira Shearer’s aspiring ballerina in Powell and Pressburger’s The Red Shoes. “Why do you want to…