Unsane is a nifty little movie, a cheeky, intelligent thriller shot in secret on an iPhone and slipped into theaters in the space of a few months. That’s…
What’s the use of rebooting a successful video game franchise if you can’t reboot the mediocre film series that it spawned? That appears to be the motivation…
Madeline L’Engle’s beloved A Wrinkle In Time is, if you haven’t read it lately, short on incident and quite long on dialogue and metaphysics. L’Engle used…
There’s probably a good remake to be made of 1974’s Death Wish, a seminal bit of vigilante-themed violence porn from the late, great sleaze-peddler Michael Winner.…
#33: A Very Merry (And Very Belated) Christmas at Odie’s Video Store Download episode here. Episode Description: This was meant to go out for the…
Annihilation practically sits up and begs to be regarded as high-minded genre cinema. But really, it’s a thuddingly literal handful of barely engaged ideas and dangling plot…
Black Panther arrives with a lot of fanfare; it’s sure to generate discussion about its status as a genuinely progressive piece of representation, and it…
Pivoting from the cerebral intensity of Queen of Earth — an Images, or Fassbinder, -like exteriorization of a woman’s mental breakdown — Alex Ross Perry’s latest is…
The finest films of 2017 simultaneously offered us a respite from, and a deeper reflection on, our fraught and fractured social and political realities. In…
The best songs and albums released over the last 12 months found a way to subvert a hopeless political reality, to move and inspire us…
#32: Beyond the Masked Tortilla: Musicians Making Movies Download episode here. Episode Description: “This is where we came in…” Like guilty men returning to the scene of…
Perhaps in answer to fans who complained that The Force Awakens was just a collection of rehashed elements and nostalgia with a shiny paint job, Rian…
Our fifth and final dispatch from this year’s New York Film Festival (here’s one, two, three, and four) includes a couple of films about various forms of…
Chinese artist and dissident Ai Weiwei takes a powerful look at the global refugee crisis in his new documentary Human Flow. Whether the refugees come from Syria,…
Our fourth dispatch from this year’s New York Film Festival (here’s one, two, and three) includes the Chinese-American filmmaker Chloé Zhao’s docudrama The Rider, about South Dakotan…
The Foreigner has the same elements as any number of generic procedurals: innocent victims are killed in a terrorist bomb blast, law enforcement officers track down leads…
In our third dispatch from this year’s New York Film Festival (the first is here, second here): the “director’s cut” version of Arnaud Desplechin’s sprawling career summation, Ismael’s Ghosts;…
It’s worth remembering that, at the time of its 1982 initial release, nobody really knew what to make of, or much cared for, Blade Runner. Ridley…
In our second dispatch from this year’s New York Film Festival (the first is here), we take a look at the veteran Polish filmmaker Agnieszka…
Most seem to agree at this point that the Cannes Film Festival’s competition line-up was not good this year. While the New York Film Festival’s main…