Filmmaker Pete Ohs’ working methods prioritize flexibility, openness, and spontaneity. As with all of his features so far, his latest, The True Beauty of Being…
In Kevin and Matthew McManus’ Redux Redux, Irene Kelly (Michaela McManus) vaults through an endless sequence of parallel realities, searching for a universe where her…
Writer-director-actress Grace Glowicki hasn’t yet ascended to the same level of indie prestige as Kate Lyn Sheil, Deragh Campbell, or (now mainstream power player) Greta…
After a numbing first couple months in 2025 cinema, March struck back in a big way, giving theatergoers a number of new films from idiosyncratic…
Narrative, as academics and book club members alike will tell you, is as much about process as it is about the final product. A story…
If the new indie neo-noir Gazer feels familiar, riffing on any number of classic thrillers as well as newer models like Memento and Too Late,…
Her mother’s letters come like intercepted radio transmissions, or echoes of prayers. In this state of relentless observation, pure receptivity, how could she not hear…
It’s 1987 in Oakland, California. The Golden State Warriors are trying to avoid being swept by the Lakers in the Western Conference semifinals, feuding factions…
“Everywhere animals disappear,” wrote art critic John Berger in his seminal book Why Look at Animals? Berger proposed an argument from capitalism, where the industrialized…
Miguel Gomes first began to build attention in the United States with his film Our Beloved Month of August in 2008. Since then, the Portuguese…
Film has always stood in tense relation to history: it both creates and consumes it. Often, it does both simultaneously. Steve Erickson’s book Days Between…
More than ever, questions of form and the constitution of cinema swirl, boundaries challenged or collapsing regularly in a present where visual media is dominated…
Watching the opening credits of Mimi Cave’s Holland, one would not be entirely remiss to recall the barren sound stage of Lars von Trier’s Dogville.…
David Ayer’s movies have often straddled the line between edgelord wannabe grit and cartoonish macho fantasy — although his best films, like WWII tank adventure…
Sigrid Nunez’s 2018 novel The Friend was a critical success — winning that year’s National Book Award for Fiction — that also managed to find…
If there’s one place in the world you’d want to make your debut, it’s France. Louise Courvoisier’s Holy Cow opens with a string of company…
The opening shot ofTrương Minh Quý’s Việt and Nam depicts two men in enveloping darkness. One carries the other on his back as he trudges…
In an early scene from The Woman in the Yard, a mother walks in on her toddler reading Little Red Riding Hood to a treasured…
Over the past few years, much has been written about the undeniable wave of “Covid films,” narratives molded by lockdowns, themes shaped by isolation, and…
Like his 2012 masterpiece Tabu, Miguel Gomes’ Grand Tour uses the transition from the silent to the sound era to explore the passage into a…