Free Guy is the rare tentpole based on an original idea rather than existing IP, and supplements that present-day novelty with a game cast and…
On the strength of Gunn’s outré humor and filmmaking sensibilities, The Suicide Squad is nothing less than the most enjoyable comic book flick in a…
In recalibrating its source material, The Green Knight often proves compelling, but it doesn’t always convince as a fully liberated work. “I see legends,” Gawain…
Jungle Cruise’s attempts at throwback family adventuring are lost to a miasma of awful VFX and greenscreen compositing. For some reason, Disney’s Jungle Cruise,…
Snake Eyes is all boring backstory and cliched tropes, and not remotely as weird as the material demands. Apparently, it’s absurdly hard to make…
Old suffers a bit from Shyamalan’s weaknesses as a writer, but by its end, ranks as one of the director’s weirdest and most poignant works…
Space Jam 2 musters an engaging mid-film stretch, but it ultimately sinks under the weight of its overbearing corporate IP. Warner Brothers did their…
Black Widow is fairly lightweight and doesn’t impress much with its action or visual design, but the character work and comedy prove somewhat redemptive. Although…
No Sudden Move is another successful crime caper from Soderbergh, as formally and tonally playful as his best efforts in the genre. The endlessly versatile…
Against all odds, Family Business manages to be a wild, engaging sequel to the interminable original Boss Baby. Dreamworks Animation has always shown a penchant for…
The Forever Purge is suitably cynical and cathartic effort, righting some of the series’ previous wrongs and more bluntly tackling America’s systemic evils. Since James…
F9 continues the franchise’s downward trend, further garbling its outsized action and sentimentality into confectionery pap. What started as a scrappy gearhead ripoff of Point…
Luca is an obviously gorgeous film, but its half-cooked conception and execution continues the recent trend of sub-par Pixar efforts. The currently swirling rumors which…
Peter Rabbit 2 wishes it were a Paddington film. It isn’t. It’s fair to say Will Gluck’s Peter Rabbit 2 wants a piece of the Paddington…
Though technically a worse film than the original, Hitman’s Wife’s Bodyguard rides its low-brow wave to lizard brain delights. 2017’s The Hitman’s Bodyguard proved…
In the Heights isn’t going to save the theatrical experience, but at 143 minutes, will help kill some time. In development since the musical…
This latest Conjuring effort displays a bit more awareness of precisely where its strengths lie, resulting in a lot of dumb fun for those…
Cruella begins from a stupid premise and proceeds to do little more than inspire product development and contribute to the Dalmatians Easter egg canon.…