Four Samosas cribs too liberally without any understanding of how to integrate such influences. At the risk of seeming belligerent or otherwise unfair, Ravi Kapoor’s…
Anyone who has seen enough music documentaries probably has a pretty good idea of what The Return of Tanya Tucker would be before going…
Bad Axe is a tender and heartfelt portrait of a family, town, and nation in crisis. In light of an unprecedented global vaccine effort,…
Actual People captures actual truths about the ways that young people behave. Kit Zauhar follows up her promising short film, Helicopter, with an equally talky…
Nothing Lasts Forever is a zippy but patient task-taking doc on the ills, myths, and hypocrisies of the global diamond industry. In 1929, the Surrealist…
Meet Me in the Bathroom’s winnowed focus turns what could have been a vibrant behind-the-scenes doc into more conventional, surface-skimming fare. Meet Me in…
Utama is undeniably one of the year’s most gorgeous works of image-making, but its narrative and thematic expressions are less consistently impressive. Over the past…
Call Jane can come across as tidy and overly satisfied, but Nagy’s facility with actors and visuals keeps things proceeding with assurance. Call Jane, the…
Holy Spider fails to execute the tonal mastery needed for its material and is too self-conscious to occupy any pulpier territory. For approximately one year…
Given its subject matter, Brainwashed: Sex-Camera-Power proves ironically reductive a thesis on art and sexual politics. While made largely in response to the #MeToo…
Aftersun evokes the rending nostalgia of Terence Davies, lensing a father-daughter story through quiet, melancholic remembrance. Memories are fragile; they weather with time, fray around…
All That Breathes offers a cogent diagnosis of our climate change predicament, suggesting a tentative hope for the future while recognizing the untenability of…
In the Court of the Crimson King thrives as an unbiased tribute film, keen in its documentation of the professional and personal spheres of…
Peter Hedges brings his typical schtick to The Same Storm, getting off to a rocky start but ultimately getting somewhere heartwarming enough. Is there any…
God’s Creatures works best in its embrace of character interiority, but a tendency toward stacking the deck with symbol and portent leaves little nuance to…
Last Flight Home isn’t probing enough and its repetitions can lend a revolving door feel, but there’s a clear and moving heart to the film…
The Swimmer is yet another skin-thin film about gay men that is unfortunately more interested in titillation than characterization. The Israeli gay coming-of-age drama The…
Onoda documents how the collapse of one’s worldview can prove as wrenching as any of the violence here depicted, and reminds that cinema is an…