Hopinka’s feature debut is a poetic and evocative film, one that seeks to quantify and articulate the symbiosis of humanity and earth. A prolific maker…
Red Moon Tide offers impressive sonic and visual craft, but is somewhat undermined by its weaker narrative and character elements. An elegiac stillness envelops the…
1994’s Serial Mom marked something of a turning point for writer-director John Waters. A filmmaker who built his name and reputation on such outre, low-budget…
Ride or Die is overlong, fails to believably sell its central relationship, and ill-advisedly resolves with a bit male gaze exploitation. Whatever the many other…
Monday is a derivative, dull, and altogether flat effort that captures none of the carefree spirit it partially peddles. With an overly familiar and intentionally simple…
1975 was a pivotal year for actress Delphine Seyrig. In addition to work with the radical feminist collective Les Insoumises, alongside director Carole Roussopoulos, she…
For the Sake of Vicious doesn’t reinvent anything, but is a lean, nasty thriller that doubles as a remarkable calling card for the directing duo.…
Vanquish is bad, bizarrely so, but it’s at least not boring in its own dumpster fire way. After a few hits as a writer, including…
The Banishing is a welcome-back for director Christopher Smith, rendering fresh what could have been boilerplate, and keeping its human horrors palpably textual. It’s curious that…
IWOW is a work of pure hubris and self-aggrandizement, entirely devoid of the humanity that has informed Allah’s previous works. Over the course of his career,…
Voyagers is a shallow, bland, and empty-headed space-set riff of Lord of the Flies that fails to choose either heady futurism or sci-fi eroticism. It’s…
Wheatley’s latest both builds and holds tension effectively, harnessing the director’s penchant for psychedelia and bruising horror to brutal effect. When Martin remarks at the…
Gunda is an empty, exploitative aesthetic exercise that that has no ideas to speak of. If nothing else — and it truly offers little else —…
Night in Paradise scans like any number of slow-burn gangster flicks, but suffers for lack of originality in both its action and drama. Park Hoon-jung’s…
After releasing notorious flop/secret success Exorcist II: The Heretic in 1977, director John Boorman turned to an attempt at producing a Lord of the Rings…
Not all of the poetic evocations of Jessica Sarah Rinland’s Those That work, but it’s still a lively, playful, and niche document of art creation.…
In Irene Gutiérrez’s Between Dog and Wolf, the relationship between past and present — and future — is vertiginous. We are left to deduce the…
Having had its world premiere at last year’s Berlinale, Marco Dutra and Caetano Gotardo’s All the Dead Ones (in Portuguese, Todos os Mortos) has now…
Mauricio Franco Tosso’s Samichay, in Search of Happiness seeks to render the life of a peasant farmer on a grand, mythopoetic canvas, and it’s mostly…
Rightly considered one of the most prominent figures for the Argentinean new wave of cinema, Martín Rejtman first stepped into the attention of a small…