Filmmaking duo and brothers Peter and Bobby Farrelly have received more than their fair share of vitriol over the years for their particular brand…
It’s the mark of a truly lazy and amateur writer to begin any piece with a dictionary definition, specifically one which relates back to…
One of the most accomplished actors of his generation, equally adept at conveying volcanic rage and soft-spoken humility, Adam Driver’s greatest gift arguably is…
What started more than two decades ago as a completely unexpected shot in the arm for a mostly dead subgenre has steadily declined into…
Somewhere along the line, not all that long ago, Arnaud Desplechin ceased to be a marketable name in the U.S. film biz. While certainly…
The latest film from French actor-director Valeria Bruni-Tedeschi is difficult to evaluate. One could argue that, for what it is, it is fairly accomplished.…
Ballet school drama Neneh Superstar is the kind of film that gives festivals like Rendez-Vous with French Cinema a reason to reach out to…
Three Nights a Week is less the love story between a straight man and a drag queen it has been billed as, and rather…
Zhang Lu has proved a unique presence in 21st-century film: A Korean-Chinese literary intellectual of the 1980s who became a little-known cult figure in…
Helmut Dosantos’ feature debut, Gods of Mexico, is an ethereal work of observation, informing tonality through compositional rigor, the beauty on display siphoned into…
Depending on your disposition, New York City’s claustrophobic crush of humanity is either unsettling or liberating, if not both simultaneously — it’s not easy…
Naomi Kawase’s 2014 romance drama Still the Water is never short on striking imagery. Set in Amami Ôshima, an island off the southern coast…
It seems safe to say that we’re currently experiencing a remarkable resurgence of interest in Jacques Rivette; long the most mysterious of all the…
These days it feels like we’re more frequently encountering stories of people — particularly men — obsessed with legacy. Characters yearn for a sense…
When Jamie Dack’s Palm Trees and Power Lines premiered at last year’s Sundance Film Festival, it was against the backdrop of a roiling and…
From its first frames, Rikiya Imaizumi’s Call Me Chihiro is easily identifiable as a Netflix original. Adapted from Hiroyuki Yasuda’s manga Chihiro-san, the film’s…
Kurt Wimmer’s mirthfully overwrought Children of the Corn, a revamp of one of horror’s longest and least-consequential franchises, is more fun than it should…
Creed III continues to mirror the trajectory of its parent Rocky franchise. The first one was a dare-you-say transcendent recapitulation of the original film’s…