“What are your plans for Act Three?” asks one character of Channing Tatum’s Mike about the show he’s directing in Magic Mike’s Last Dance,…
Netflix’s new romantic comedy Your Place or Mine got a shot in the arm publicity-wise this past week when photos from its premiere went…
Israeli filmmaker Hadas Ben Aroya’s second feature film, All Eyes Off Me, offers a naturalistic glimpse into Israel’s contemporary youth culture as it shifts…
“I would do anything for my children,” says Jess (Michelle Monaghan), a phrase she repeats like a mantra that gradually takes on a more…
Skinner Myers’ feature debut is a serpentine construct, a vision of subjectivity that embraces both virtuousness and transgression, emphatic in its depiction of self-destruction.…
For many, M. Night Shyamalan has never come out from under the shadow of his mid-career flop, the seven-year stretch between 2006 and 2013…
When it comes to metaphorical expressions, perhaps no other narrative and visual motif can provide a sense of boundless liberation and spiritual freedom as…
Let it be said that indie writer-director John Swab is currently the hardest working man in show business, with his second film of the…
An auteurist’s dream, the films of David Cronenberg have continued to express their creator’s psychosexual pet themes for half a century now, nearly without…
Laugh now, but back in the 1950s, the CIA would pay top dollar for any hint of mind control technology, leading to the mass…
Veerle Baetens’ debut feature When It Melts is one of those films that is difficult to discuss without giving the entire thing away, not…
As we move ever further into the streaming age, the question of what exactly constitutes a film continues to blur. No longer tethered to…
The tenets of toxic masculinity are tried and true, displayed in manifold methods of patriarchal oppression, and specifically in conjunction with a process of…
It has been a mere two weeks since a bevy of the Hollywood elite, ranging from Cate Blanchett to Gwyneth Paltrow to Edward Norton,…
When talking about the agonizingly slow death of his career, Orson Welles once claimed, “I began at the top and have been working my…
In his canonical text Hollywood Genres, author and theorist Thomas Schatz proffers a still useful distinction, that being between “the film genre and the…
Spanish-language filmmaker Ruth Caudeli has developed a surprisingly consistent and quantifiable body of work in the past few years. Her films are relatively plotless,…
An unexpectedly maverick prequel/sequel hybrid to one of the biggest mainland Chinese blockbusters of this century, The Wandering Earth II ditches the more rigid…