In folklore on film, the peasant girl laboring for ungrateful people has been situated in several variations of Cinderella. One of cinema’s most active renditions…
It’s a bit of a shame that Kaveh Daneshmand’s new film Endless Summer Syndrome comes to us in the wake of Catharine Breillat’s Last Summer.…
Joshua Oppenheimer was made famous by two recursive exercises of direct cinema that saw him interrogate, through both performance and observation, the personal and collective…
After spending his early career transfiguring the aesthetics of early Jean-Luc Godard and other works from the French New Wave’s starting days for his own…
An aging singer, years past her prime and in failing health after decades of self-abuse, attempts a Pyrrhic comeback. The compressed structure of a few…
In the recent Motion Over Pictures: Two Evenings of Fred Worden retrospective at New York’s Spectacle Theater (co-organized by Paul Attard and Stephen Cappel, with…
Detective fiction has deep roots in Gothic horror — look no further than Poe’s seminal “Murders in the Rue Morgue” for confirmation. Horror has expanded…
No one works harder than the Wicked Witch of the West. Since entering the public domain in 1956 with the rest of the characters from…
It’s somewhat surprising, given the studio’s history of exploiting their own intellectual properties for all they’re worth, that sequels to their animated features haven’t been…
Since his 2011 debut feature Snowtown, Justin Kurzel’s films have displayed a laser-like focus on rough, sometimes savage men and the environments that foster their…
Six years ago, Mike Leigh produced his first war film, Peterloo, in which domestic unrest in 1819 led British troops to slaughter protesting civilians. At…
As Werewolves opens, we’re informed that the previous year a supermoon event turned everyone who came into contact with moonlight into a werewolf, leading to…