In his introduction to Olivier Assayas’ autobiographical essay/memoir A Post-May Adolescence: Letter to Alice Debord, Adrian Martin writes that “Assayas has always identified himself…
In 2008, the Drive-by Truckers weren’t exactly a band on the ropes — actually, they were on a winning streak that no other contemporary…
Jerichow isn’t really an adaptation of The Postman Always Rings Twice, at least not any more than Transit is an adaptation of Casablanca or…
“Fuck Soulja Boy. Soulja Boy, I know you’re young enough to be my kid but you single-handedly killed hip-hop, man. That shit is such…
Given his relative renown amongst a certain type of adventurous, festival-savvy cinephile, interviews with Tsai Ming-liang tend to focus on either the ‘slowness’ of…
Vampire Weekend were anachronistic from the moment they formed: clean-cut Ivy League youths writing exceptionally clear songs, both in terms of structure and recording…
Lou Ye’s Summer Palace is an exasperating experience, full of interesting ideas and an incendiary political backdrop but falling victim to clichés of poeticized romantic…
As perhaps the most narratively straightforward Hong Sang-soo film to date, albeit one still prone to a certain structural mischievousness, Woman on the Beach modulates its conceptual restraint…
#30: Hearts and Glowers: A Rough Ride Through Rom-coms of No Repute Download episode here. Episode Description: Like a chance encounter with a long-forgotten lover… like…
Few genres lend themselves as well to a specific holiday as horror does to Halloween. Not every film of the genre directly connects with the holiday…
When you try to conjure up an image of the holocaust, what comes to mind? Maybe Schindler’s List, The Pianist, The Diary of Anne…
What Woody Allen just doesn’t seem to get anymore — overlooking the fact that his dialog is basically paraphrased versions of the same stuff…
A few weeks back we presented you with our lists of the best films of 2008, so far. Without much fanfare we now share…