Mau delivers only celebratory mythos and lore where a thornier portrait of its subject could have built something far more meaningful. In this era of virtually…
Mascarpone vacillates between insight and one-dimensionality, but its luscious aesthetic character keeps its lightly recommendable. Gay Italian drama Mascarpone certainly knows how to appease its target…
Black Site has obvious limitations that cap its ceiling, but as a DTV film in spirit if not in star power, it’s solid enough for target…
The latest film to fail to properly utilize the cornfield’s unique horror setting, Escape the Field isn’t the least bit scary, clever, or compelling. Speaking…
A New Era is no masterpiece, but it’s a far cozier and more fitting franchise send-off than its predecessor managed to be. Downton Abbey: A…
Emergency understands the tragedy of individuals forced to feel systematically dehumanized, but stumbles when it comes to logic, comedy, and tension. The college party movie, usually…
The Found Footage Phenomenon is a bland, talking head-heavy dud that feels like an incomplete Wikipedia article on its subject matter. If anything, new documentary…
Cane Fire is a kaleidoscopic portrayal of white supremacy’s brutal legacy and a challenge to the enduring colonial myth of Kauaʻi. In the investigative documentary Cane…
Summer of Changsa is an exercise in useless misery that feels lifeless from start to finish. Having premiered three years ago, all the way back at…
Like previous Garland films, Men is a stylish but thematically bankrupt enterprise that staves off boredom while offering no real thrills or substance. You could be…
Deception should have been prime, loopy material for Desplechin, but instead remains frustratingly staid, only occasionally capturing the spark of his more personal material. A…
Firestarter can’t recover from its weak script and insipid direction, meandering its way through a tension-free film populated by shallow, uninteresting characters. Fresh off his…
Senior Year is an inconsistent, scattershot vanity project for Rebel Wilson, tanking every potentially interesting angle in favor of lame mugging. Austin Powers meets Never…
Top Gun: Maverick is the ultimate legacy sequel, and a thrilling ode to the fading era of true action movie stars. Slotting squarely into the…
In Front of Your Face is a spiritual awakening of a film, tweaking Hong’s particular tenor from the past decade into something even more penetrating…
On the Count of Three can be uneven and frequently toes the line of twee, but ultimately settles into the right mix of broad comedy…
Montana Story is a notably tender film, patient both in its flaying of old wounds and in sewing seeds of healing. Scott McGehee and David…
Pleasure isn’t the first film to attack the intersection of capitalism, misogyny, and exploitation endemic to the porn industry, but it does so with style…
The Innocents thankfully forgoes any social commentary in favor of impressive horror atmosphere and a study of childhood’s central paradox. When the director of an…
Operation Mincemeat is precisely the kind of stolid history flick your dad will probably like but which bears little artistry to otherwise meaningfully distinguish itself.…
Monstrous is the latest metaphor-heavy Babadook knockoff that viewers could do without. Imagine, for one brief moment, if the man behind the infamous 2007 Lindsay…