With And Now, Let’s Turn the Page…, Cobb shares a brand of southern gospel keenly focused on a particular shared experience. Thinking back on…
Mitchell’s first solo work since Hadestown is a warm, lingering look into the past. Hadestown has ruled the last decade of Anaïs Mitchell’s career,…
The Lumineers might have commercial accolades behind them, but Brightside offers further proof of their artistic devolution. After a slower rollout than normal, The…
Barn is a languorous record, and a better late-career effort that most artists can muster. Neil Young again pairs with Crazy Horse for the…
4NEM is the latest proof that Chief Keef’s singularity and eccentricity are second to none in the world of hip hop. While there’s been…
Ross might be richer than he’s ever been, but he’s also as uninspired as he’s ever been on his latest. It’s unclear what exactly…
Live Life Fast is an anonymous bore of an album that rides of a wave of unearned ego. Roddy Ricch clearly thought he was…
Fighting Demons is a feel-bad album that feigns rawness in order to avoid any meaningful consideration of Juice WRLD’s legacy. Fighting Demons, the second…
Who is Nardo Wick? is a successful enough introduction to the eponymous rapper, superficial but with personality to carry him forward. Just exactly Who…
Chief Keef While there’s been little to no media fanfare surrounding its release, Chief Keef’s 4NEM is an album that demands your utmost attention.…
#1. “Man, tell them haters open up the jail (Open up the jail) And you can tell my baby mamas, “Get the bail money”…
#2. Though few may have expected it, Porter Robinson emerged, quite triumphantly, as one of 2021’s most significant pop artists, reasserting himself as the…
#3. One of the more immediate musical trends to take hold post-Covid was a noticeable shift toward quieter dynamics, embodied most visibly by the…
#4. Though British producer Iglooghost (aka Seamus Malliagh) operates within some of the more tonally extreme subgenres of 2010s electronic music — UK Bass,…