For a brief period of time in the early-to-mid 2000s, there was perhaps no more exciting international director than Bela Tarr. Advocates like Jonathan Rosenbaum,…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years (with…
Sátántangó’s very first shot set the stage for everything director Béla Tarr would make, what international festival directors would seek to imitate, and a developmental period for…
All one need do is look at the many and varied riches cinema had to offer in 2012 to disprove the crowing — yes, once…