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    May 2025 — Reviews Roundup
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    An Evening Song (for three voices) — Graham Swon [Review]
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    Milisuthando — Milisuthando Bongela [Review]
    May 16, 2025
    Most People Die on Sundays — Iair Said [Review]
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    April 30, 2025
    From the World of John Wick: Ballerina — Len Wiseman [Review]
    June 5, 2025
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    May 30, 2025
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    May 23, 2025
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    May 30, 2025
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    May 30, 2025
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    May 29, 2025
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    May 19, 2025
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    May 30, 2025
    Jane Austen Wrecked My Life — Laura Piani [Review]
    May 23, 2025
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    May 16, 2025
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    May 16, 2025
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    May 30, 2025
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    May 24, 2025
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    May 23, 2025
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    May 9, 2025
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    May 23, 2025
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    May 9, 2025
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    May 2, 2025
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    May 2, 2025
    From the World of John Wick: Ballerina — Len Wiseman [Review]
    June 5, 2025
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    May 30, 2025
    Bono: Stories of Surrender — Andrew Dominik [Review]
    May 30, 2025
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    May 30, 2025
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    Cannes Film Festival 2025 — Dispatch 4: The Young Mothers Home, Resurrection, Sentimental Value
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  • Kicking the Canon
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    A Delightful Dream: Howard Hawk’s Gentlemen Prefer Blondes
    May 28, 2025
    The Instinctual Lurches of Desire: André Téchiné’s Wild Reeds
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    Birth of the Cool: Takeshi Kitano’s Violent Cop
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    A World Governed by Inflexible Order: Lucile Hadžihalilović’s Innocence
    May 8, 2025
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  • Feature Articles
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    Between a Terrorist and a Saint: Óliver Laxe on Sirât
    June 2, 2025
    A Fundamental Absence in the Techno-Paradise Project — Jesse Armstrong’s Mountainhead
    May 30, 2025
    Traditional Satire with a Humanist Impulse: Eugene Kotlyarenko on The Code
    May 23, 2025
    Sex, Power, and Gaudy Decor: Josef von Sternberg’s Scarlet Empress
    May 21, 2025
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  • Music Archives
Tag

Boy Harsher

Browsing
- by Daniel Gorman

The Runner — Boy Harsher

January 17, 2022
  • Recent Reviews

    • From the World of John Wick: Ballerina — Len Wiseman [Review]

      - by Matt Lynch June 5, 2025

    • Tornado — John Maclean [Review]

      - by Chris Cassingham May 30, 2025

    • Bono: Stories of Surrender — Andrew Dominik [Review]

      - by Emily DuGranrut May 30, 2025

    • Karate Kid: Legends — Jonathan Entwistle [Review]

      - by Joshua Polanski May 30, 2025

    • Ghost Trail — Jonathan Millet [Review]

      - by Travis DeShong May 30, 2025

    • Steppenwolf — Adilkhan Yerzhanov [Review]

      - by Daniel Gorman May 30, 2025

    • Bring Her Back — Danny Philippou & Michael Philippou [Review]

      - by Alexander Mooney May 29, 2025

    • Fountain of Youth — Guy Ritchie [Review]

      - by Matt Lynch May 24, 2025

    • Lilo & Stitch — Dean Fleischer-Camp [Review]

      - by Luke Gorham May 23, 2025

    • The New Boy — Warwick Thornton [Review]

      - by Luke Gorham May 23, 2025
  • InRO Monthly

    • May 2025 — Reviews Roundup

      June 4, 2025 - by InRO Staff
  • Kicking the Canon

    • A Delightful Dream: Howard Hawk’s Gentlemen Prefer Blondes

      - by Robert Stinner May 28, 2025

    • The Instinctual Lurches of Desire: André Téchiné’s Wild Reeds

      - by Chris Cassingham May 16, 2025

    • Birth of the Cool: Takeshi Kitano’s Violent Cop

      - by Joe Creely May 14, 2025

    • A World Governed by Inflexible Order: Lucile Hadžihalilović’s Innocence

      - by Dhruv Goyal May 8, 2025

    • Possession’s Inevitable Violence: Nicolas Roeg’s Bad Timing

      - by Theo Rollason April 8, 2025
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