In Western countries, the dailiness in those “lesser developed” ones has long been abstracted by a dearth of artistic and cultural diffusion from one to…
The Invasion Moral judgments in artwork tend to be tinged in shades of gray. This is sometimes expressed by citing Jean Renoir’s unofficial motto that…
Moral judgments in artwork tend to be tinged in shades of gray. This is sometimes expressed by citing Jean Renoir’s unofficial motto that “everyone has…
The Shameless feels very much like an art-sploitation entry from the mid-’90s, when directors thought that a frank depiction of lesbian desire, in and of…
Cordoned to a cultural temperament that favors realism, based-on-true-stories, and the animated mythologies of men and women who have walked among us, the biopic has…
The depiction of grief in films is as variable as film form. It can be outwardly melodramatic like in Krzysztof Kieślowski’s Three Colors: Blue (1993),…
When first introduced at the beginning of Jonás Trueba’s The Other Way Around, a couple, Ale (Itsaso Ariana) and Alex (Vito Sanz), have already decided…