Since 1974, Troma Entertainment has enjoyed its position as the longest running independent film studio in the world, having been responsible for either the production…
Thibault Emin’s Else begins with a series of undulating abstract images that suggest microscopic photography, a vaguely organic tapestry that evokes skin under a magnifying…
Comparisons to Everything Everywhere All at Once seem inevitable in the early buzz on Yang Li’s Escape from the 21st Century. The TIFF program guide…
Grindhouse aficionados likely need no introduction to J. Michael Muro and Roy Frumkes’ 1987 splatter-fest Street Trash, a grungy cult-favorite about tainted liquor melting the…
In 2016, there was Terrifier. Written and directed by Damien Leone, the film was produced for peanuts and offered little more than some decent practical gore…
Karma’s a bitch. JoJo Siwa warned us all earlier this summer, and so the timing of her latest film (and the first that isn’t tween-appealing…
Onyx the Fortuitous and the Talisman of Souls is a textbook example of the kind of short-form Internet meme-art that has no business attempting the…
Ellie Foumbi’s Our Father, the Devil takes the broad, familiar strokes of the revenge drama and fashions them into something altogether more tragic. The film…