Based on the life of acclaimed 20th century lyricist Lorenz Hart, Richard Linklater’s Blue Moon has as much in common with one of the filmmaker’s…
After nearly half a decade of putting out two movies per year, Hong Sang-soo has slowed from a full-on sprint to a jogger’s pace, releasing…
“All films are time travel films, and all films are ghost films,” said filmmaker Mark Jenkin at a post-screening Q&A for the New York Film…
Rhayne Vermette’s Levers functions, in part, as a collective portrait of a community caught in limbo: when the sun is inexplicably blocked out globally for…
The streets of Beirut are covered in red dirt. Mounds of earth make up barricades along the highway, cars duck around the man-made mountains as…
Radu Jude is aiming for nothing less than the grand finale of vampire movies with his Dracula, and as a Romanian, why shouldn’t he lay…
In the opening title scroll of Kleber Mendonça Filho’s The Secret Agent, the Brazil of 1977 the film takes place in is announced as “a…
At the beginning of Lucrecia Martel’s first feature-length documentary, Landmarks, we’re presented with satellite images of Earth. From this zoomed out perspective, there are no…
Sharon Lockhart adds 12 more static master shots to her filmography with Windward, but that doesn’t mean she isn’t finding new ideas for how to…
Of Kelly Reichardt’s many talents behind the camera, historically, she is not a filmmaker you would refer to as “a trickster” — there is little…
In 1974, the East Asia Anti-Japan Armed Front (henceforth EAAJAF) followed in the footsteps of the Japanese Red Army by committing several terrorist acts in…
It’s a shame I had to see Kent Jones’ Willem Dafoe vehicle, Late Fame, on the Upper West Side at NYFF in mid-September. It was…
Who among us can’t relate to Samuel Beckett’s post-apocalyptic word-worlds at the moment? The answer is apparently those who are too blind to see. El…
In 2017’s Summer 1993, director Carla Simón’s feature debut, a young girl is sent to live with her mother’s family in Barcelona after her mother’s…
“Is this what the end of the world feels like?” The question is posed from one beleaguered raver to another, on a school bus somewhere…
His debut feature Son of Saul anointed László Nemes as the Béla Tarr heir apparent (challenged, briefly, by Hu Bo, until his death by suicide…
For the most part, the documentaries that have made Gianfranco Rosi’s reputation have a firm basis in geography. Sacro GRA (2013) explored life in Rome…
Only his second feature-length film after maɬni—towards the ocean, towards the shore (2021), Sky Hopinka’s Powwow People is the director’s least tangibly experimental project to…
Excepting the newly bicurious and the chronically polyamorous, most people will adore Erupcja for the wrong reasons. Pete Ohs’ sixth narrative feature has, on the…
In Kunsang Kyirong’s feature 100 Sunset, the camera roots itself deep within a tight-knit community of Tibetan immigrants in Toronto, the film taking place during…
Bouchra, Orian Barki and Meriem Bennani’s unusual, surprising, and often moving debut feature, centers on the relationship between its eponymous character, a queer Moroccan filmmaker…