Desert of Namibia At first, Yoko Yamanaka’s Desert of Namibia seems to be just another entry in what this writer is calling Millennium Mambo-core,…
Suspended Time Given the muted critical response and prolonged time period between its festival premiere and eventual (limited) distribution, the new Olivier Assayas film…
Henry Fonda for President Thoughtful film curation asks us to consider films in a new light. Alexander Horwath knows this better than most, having…
In the Mouth In the Mouth, the sophomore feature from Cory Santilli (Saul at Night, 2019) is everything from a film noir to a…
Pavements “The world’s most important and influential band breaks up and it’s not a big deal.” Thus begins Alex Ross Perry’s Pavements, establishing from…
Blazing Fists I watched two films from IFFR’s 2025 festival: one was The Last Dance, the smash hit Hong Kong family melodrama set in…
Yasuko, Songs of Days Past Like many Japanese directors his age, Kichitaro Negishi got his start at the legendary Nikkatsu studio making the only…
When I attended the International Film Festival Rotterdam earlier this year, I was struck by the festival’s efforts to cut its slate, having gone…
Rumours Since his out-of-nowhere debut feature Tales from the Gimli Hospital in 1988, Winnipeg-based director Guy Maddin has become synonymous with a very particular…
Eephus At first, Eephus holds the potential to make one quite sad. For this writer, the effect did not seem intentional and was more…
Scénarios The last image of Jean-Luc Godard’s last film Scénarios is one of the most heartbreaking in his long, storied, notorious, glorious, defining, essential…
All We Imagine As Light “This city takes time away from you,” says one of the seven disembodied voices introducing us to the wide-awake-at-night…
Pepe Just barely after the advent of photography, the concept of putting a camera in a balloon was born. Taken long before commercial air…
Babygirl Halina Reijn’s Babygirl is aware of the discourse. It’s read all the articles that have been passed around online, it knows what’s considered…
Dahomey Before making her feature film debut with 2019’s Atlantics, French-Senegalese director Mati Diop produced a series of poetic short films, all of which…
Hard Truths Six years ago, Mike Leigh produced his first war film, Peterloo, in which domestic unrest in 1819 led British troops to slaughter…
The Seed of the Sacred Fig As titles go, the latest from Iranian filmmaker Mohammad Rasoulof epitomizes a rare fidelity to its subject. The…
As ever, Fantasia’s Retro lineup offered a wealth of riches this year, from the familiar titles to the utterly unexpected. First and foremost is,…