“The real problem [or] the central mystery of politics is not sovereignty, but government; it is not God, but the angel; it is not the…
Whew! It’s only September, but here at InRO it does feel like we’ve lived through at least two of ’em, having successfully trawled through Cannes, Tribeca,…
At first glance, the Gstaad Palace looks like the last vestige of European aristocracy. The town of Gstaad, Switzerland itself catered only to the ultra-wealthy…
The Palace At first glance, the Gstaad Palace looks like the last vestige of European aristocracy. The town of Gstaad, Switzerland itself catered only to…
The titular expression of Chong Keat Aun’s sophomore feature, Snow in Midsummer, has a political signification beyond its outwardly meteorological imagery. In Guan Hanqing’s The…
Víctor Iriarte’s Foremost by Night has more reputation behind it than its status as a first fiction feature would suggest. Alongside Iriarte’s resume, which includes…
In modernist art cinema, there has been a minor tradition of self-portrait films, and naturally they have been as different from one another as their…
2023 will surely go down in history as the year Ogawa An owned the international festival circuit. Okay, maybe not really, but Following the Sound…
As yet another Hong Sang-soo project makes the rounds, surely to be followed in four to six months by another, even newer film, it’s worth…
Essential Truths of the Lake As yet another Hong Sang-soo project makes the rounds, surely to be followed in four to six months by another,…
Korean director Hong Sang-soo’s lo-fi, low-key films seem to be increasing in ubiquity as reference points for young filmmakers. Nelson Yeo’s Dreaming & Dying initially…
Director Yamaguchi Junta’s Beyond the Infinite Two Minutes was a delightful no-budget time travel comedy that hit the scene a couple of years ago, delighting…
Allegedly an “experimental” video essay/documentary on the history of the doorbell, director Graeme Arnfield’s Home Invasion purports to be an unsettling and insightful exploration of…
One of Fantasia’s 2023 archival presentations is Jeong Jae-eun’s 2001 coming-of-age ensemble film Take Care of My Cat. The movie was a critical hit when…
The programmers at the Fantasia International Film Festival can be counted on, year after year, to assemble a strong lineup of retrospective screenings, from new…
River Director Yamaguchi Junta’s Beyond the Infinite Two Minutes was a delightful no-budget time travel comedy that hit the scene a couple of years ago,…
French documentarian and academic Sylvain George has been making a particular kind of film for nearly twenty years, carving out a specific cinematic niche. In…
Writing about Larry Fessenden’s new film Blackout, recently screened as part of the Fantasia Film Festival, we commented on its “shaggy structure” and noted that…
Red Rooms In 2002, Olivier Assayas’ Demonlover premiered in competition at the Cannes Film Festival to a storm of controversy, eclipsed — for better or…
One or two festivals ago, who can remember which — this time of year they all blend together — this critic wrote about Nomad, Patrick…
Where the Devil Roams It’s difficult to parse the project of Toby Poser, John Adams, and Zelda Adams without relating it to the larger film…