Mathieu Amalric has inarguably built up a CV of highly visible appearances over the past two decades, so much so that he’s comparable to fellow…
When Jean-Luc Godard launched the experimental Dziga Vertov Group with Jean-Pierre Gorin in 1968, one of their primary concerns involved creating radical texts that eschewed…
Andrew Infante’s Ferny & Luca is a first feature with a lot of places to get to. It briskly orbits around romantic ideas and images,…
It may be a hasty judgment, but as soon as we see a young woman painting on a canvas, smoking a cigarette positioned in the…
A coming-of-age story about a sensitive, artistically-minded young man with filmmaking aspirations sounds like a recipe for mawkish solipsism, so it’s nothing short of a…
While far from the first instance, Pratibha Pramar’s latest documentary My Name Is Andrea is one of the more high profile reclamations that radfem writer/orator…
The track record of measured, believable — let alone sympathetic — portrayals of mental illness on the big screen is spotty at best, oftentimes veering…
[NOTE: This review contains spoilers.] After having made three no-budget features with co-director Rodrigo Ojeda-Beck, Robert Machoian broke through in 2020 with The Killing of…
Within the steadily growing niche genre of Jewish horror, there are two key tales that have a hold over the imagination of filmmakers. With a…
Patrick Bresnan & Ivete Lucas’ documentaries have always gravitated toward the observational, content to let moments unfold in natural manners to reveal some truth about…
Nude Tuesday, it must be said, gets bonus points for creativity. In telling the tale of a long-married couple who attempt to spice up their…
Family Dinner, Austrian filmmaker Peter Hengl’s feature-length debut, has one insurmountable problem — it hews so closely to the folk-cult horror handbook that anyone who’s…
Natalia Sinelnikova’s We Might As Well Be Dead begins with a bedraggled family slowly traversing a long road through dense forest, a towering high rise…
Harkis is pretty much the sort of foursquare historical drama one would typically associate with Rachid Bouchareb (who was back in Cannes in 2022 with…
Throughout modern history, pop and rock music have certainly played a crucial role in a broader socio-political history. Filled with joyful and energetic dynamism, the…
Léonor Serraille’s Mother and Son is the sort of coming-of-age film that aims to capture life in both small and broad strokes. With a three-part…
Perhaps the single most of-the-moment film at 2022’s Cannes, Maksym Nakonechnyi’s Butterfly Vision feels like it could be ripped from tomorrow’s headlines. A gritty war-time…
Users of the Letterboxd movie review site may be familiar with a guy named Neil Breen. He’s a fellow with a vague background; some believe…
A spy thriller about a curious subject — the power struggle to replace the Grand Imam of al-Azhar — Tarik Saleh’s Boy from Heaven is…
Over the course of his three-feature film career, Japanese filmmaker Juichiro Yamasaki has been at pains to elucidate and track the situation and situatedness of…
In an interview with The Independent, famed French cartoonist Jean-Jacques Sempé stated, “there are terrible things in the world but I am not sure that…