If not united by one distinct way of seeing the world, the works of L.A.-based collective Omnes Films do all encourage their viewers to at…
There is a provocation inherent in the depiction of sex as sensation: shed the vows and the assurances of deep emotional connection, and all that…
One of the hallmarks of rapid-onset social change is a general sense of confusion. We often understand that some sort of intervention is absolutely necessary,…
“Through looking you need to see the truth,” says a warm and confident male voice, “that a woman is a well-made face and dress, as…
Satellite or street view imagery usually provokes an overwhelming sense of spatial disorientation in the viewer. On the virtual surface of the planet, a myriad…
Enzo (Georgios Giokotos) and Magda (Astrid Drettner) are brother and sister, but they don’t always get along, and their rocky relationship has had its share…
For several years, Austrian filmmaker Antoinette Zwirchmayr has alternated between rigorous visual filmmaking and a hybrid form of experimental narrative. She seems to be interested…
In Jessica Dunn Rovinelli’s newest short film, the director trains her camera on Australian critical theorist McKenzie Wark. On the audio track we hear Wark…
Soundtracked by a recording of John Cage’s minimalist piano piece “Dream,” a rocky terrain sits next to a sprawling seascape. Cyclists cruise beachy pathways as…
In 2020, French director Mathilde Girard released Episodes — Spring 2018, a half-hour film that played like a fictionalized diary and was notable for its…
Film often exists in a curious relation to the art world. Though there’s no formal distinction between film and video art or artists’ moving image,…
How I Became a Communist opens on a static shot of an elderly woman cleaning out the chimney of her rural Irish farmhouse. There is…
Argentinian filmmaker Gustavo Fontán has produced fourteen feature films since 2003, but still hasn’t broken through on the film festival circuit in a substantial way.…
Nicolas Klotz and Elizabeth Perceval’s new film, New World! (The World Anew), was shot on Ushant, an island off the coast of Brittany where Jean…
Having premiered at the Berlinale earlier this year and going on to win the 2023 Caligari Film Award — supplemented by the almost parodic jury…
In many respects, Basma Al-Sharif’s 2017 feature Ouroboros was a broad summary of the themes she had explored in her experimental shorts over the previous…
Fadhel Messaoudi (played by himself) is in a fatal car crash. His soul ascends to a purgatorial stasis, imagined via the images of interrogation from…
The familiar chime of a Skype tone soundtracks a procession of festival laurels and production logos. Then, the sound swiftly vanishes, replaced by silence over…
Hamburg-based, multi-disciplinary artist Martha Mechow makes her feature film directorial debut with Losing Faith, an ecstatic portrait of womanhood breaking free from societal norms of…
If language is something you acquire — as a child, learning the “meaning” of words and how they fit and flow together — then it…