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    Asog — Sean Devlin [Review]
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    Dawn of Impressionism: Paris 1874 — Ali Ray [Review]
    March 28, 2025
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    May 1, 2025
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    Not Just a Goof — Eric Kimelton & Christopher Ninness [Review]
    April 30, 2025
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    April 17, 2025
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    March 21, 2025
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    May 7, 2025
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    May 1, 2025
    The Legend of Ochi — Isaiah Saxon [Review]
    April 30, 2025
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    April 30, 2025
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    A World Governed by Inflexible Order: Lucile Hadžihalilović’s Innocence
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    I Don’t Ever Have to Compromise: An Interview with Joel Potrykus
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  • Music Archives
Tag

Jafar Panahi & Mojtaba Mirtahmasb

Browsing
- by InRO Staff

Top 20 Films of 2012

December 31, 2012
  • April Releases

    • The Legend of Ochi — Isaiah Saxon [Review]

      - by Padaí Ó Maolchalann April 30, 2025

    • Havoc — Gareth Evans [Review]

      - by Matt Lynch April 30, 2025

    • Bullet Train Explosion — Shinji Higuchi [Review]

      - by Daniel Gorman April 30, 2025

    • On Swift Horses — Daniel Minahan [Review]

      - by Chris Cassingham April 30, 2025

    • April ’25 Animal Docs: Pangolin: Kulu’s Journey, Sea Lions of the Galapagos, & Pets [Review]

      - by Emily DuGranrut April 30, 2025

    • When Fall is Coming — François Ozon [Review]

      - by Michael Sicinski April 30, 2025

    • Magic Farm — Amalia Ulman [Review]

      - by Morris Yang April 30, 2025

    • The Wedding Banquet — Andrew Ahn [Review]

      - by Chris Cassingham April 30, 2025

    • Eric Larue — Michael Shannon [Review]

      - by Christian Craig April 30, 2025

    • Not Just a Goof — Eric Kimelton & Christopher Ninness [Review]

      - by Ayeen Forootan April 30, 2025
  • InRO Monthly

    • April 2025 — Reviews Roundup

      May 2, 2025 - by InRO Staff
  • Kicking the Canon

    • A World Governed by Inflexible Order: Lucile Hadžihalilović’s Innocence

      - by Dhruv Goyal May 8, 2025

    • Possession’s Inevitable Violence: Nicolas Roeg’s Bad Timing

      - by Theo Rollason April 8, 2025

    • A Ghost in New York: Chantal Akerman’s News from Home

      - by Lydia de Matos April 4, 2025

    • The Power of the Hang: Quentin Tarantino’s Jackie Brown

      - by Jake Tropila March 27, 2025

    • The Collapse of All Morality: Robert Bresson’s L’Argent

      - by Dhruv Goyal March 25, 2025
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    • Best Films of 2024: #50–41

      - by InRO Staff December 23, 2024

    • Eyes Wide Shut and the True Meaning of Christmas

      - by Milo Garner December 19, 2024

    • Venom: The Last Dance — Kelly Marcel [Review]

      - by Matt Lynch October 24, 2024
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