The Killers Between Wes Anderson’s The French Dispatch, the seemingly never-ending V/H/S franchise, and even Yorgos Lanthimos’ Kinds of Kindness, which premiered at the…
Between Wes Anderson’s The French Dispatch, the seemingly never-ending V/H/S franchise, and even Yorgos Lanthimos’ Kinds of Kindness, which premiered at the Cannes Film…
Norris Wong’s first feature film, My Prince Edward, was one of the better Hong Kong indie movies of recent years. It starred singer/actress Stephy…
“In the end, they swallowed up the nation as a whole.” The last lines of the epilogue intertitle of Kim Sung-soo’s 12:12: The Day…
The best action movie franchise of the 2020s is about a couple of teenage slackers who, when they aren’t being incredibly lazy, work as…
The A24ification of world cinema continues apace with Brief History of a Family, a dreary Chinese genre exercise that premiered earlier this year at…
Growing up is a complicated mess. That has always seemed to be the primary message behind most — if not all — coming-of-age films…
The sixth Herman Yau film released in the last two years is probably the strangest. Long a denizen of Hong Kong’s underground, making his…
Director Jang Jae-hyun’s new supernatural thriller Exhuma covers a lot of ground during its two-plus hour runtime; what begins as a detailed procedural gradually…
Four films into any series, you either change or die, and the copaganda finally outruns the action choreography in the fourth installment in The…
The late Chinese, Tibetan minority filmmaker Pema Tseden is no stranger to the Western international film festival circuit (which is also the case for…