Filmmaker Paolo Sorrentino has made, really, one kind of film for the majority of his career: decadent exercises in excess that observe the absurdity of…
The Hand of God is a softer but no more subdued effort from Sorrentino, still rife with flourish but with a more personal core than ever…
Paolo Sorrentino’s Loro is art in the Age of Trump — so basically the most weak-sauce imaginable critique of a buffoonish caricature (former Italian Prime Minister Silvio…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or into some…
Our fifth and final dispatch from the 2018 Toronto International Film Festival (here’s the first, the second, the third, and the fourth) represents perhaps our most eclectic group of…