Babygirl Halina Reijn’s Babygirl is aware of the discourse. It’s read all the articles that have been passed around online, it knows what’s considered…
Oh, Canada The title gives it away. Before one even begins watching Paul Schrader’s latest, the tone is effectively set by a little writerly…
Any discussion of the 20th century’s most brutal novels in American literature must include Cormac McCarthy’s Blood Meridian (1985) and Bret Easton Ellis’s American…
In hindsight, Paul Schrader’s career has been a repeated jettisoning and reappropriation of extraneous artiness, new off-kilter filmic shapes of inscrutable quality emerging at…
Master Gardener In hindsight, Paul Schrader’s career has been a repeated jettisoning and reappropriation of extraneous artiness, new off-kilter filmic shapes of inscrutable quality…
#18. In a time of corporate sameness – in which films operate based on formula that are formally and structurally identical and guaranteed to…
InRO’s Best Films of 2021 train keeps chugging, today checking in with #16-20. All films, even if we previously covered them, have been revisited…
The Card Counter takes a similar shape to many of Schrader’s Lonely Man films, but this latest can’t quite overcome the template and thrive…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years…
Toxic masculinity had a year; scan the top three titles on this list and you’ll find three films about self-involved men belaboring the value…