Browsing Tag

preberlin21

Credit: NYFF
by Paul Attard Film Horizon Line

The Inheritance | Ephraim Asili

While frequently interesting to watch unfold, The Inheritance has no overarching vision and thus finds much of its potential political power muted. Inspired by both director Ephraim Asili’s personal experiences living in a Black radical collective and the formalism of late-’60s Godard (a giant…

March 16, 2021
Credit: NYFF
by Steven Warner Film Horizon Line

French Exit | Azazel Jacobs

French Exit is an absolute disaster. The end. It takes truly talented people both in front of and behind the camera to make something as abysmal as French Exit, a misfire of epic proportions. Director Azazel Jacobs, while not exactly a household name, certainly showed…

February 10, 2021
Credit: Johnny Dell'Angelo
by Chris Mello Film

Cryptozoo | Dash Shaw

In Cryptozoo, artist and animator Dash Shaw concocts an unusual story about cryptids, which, for cryptozoological initiates, are mythical creatures of legend like Bigfoot, El Chupacabra, or the Jersey Devil. But instead of a story about a couple who go into the woods and…

February 2, 2021
Credit: Sundance Institute
by Steven Warner Film

Censor | Prano Bailey-Bond

The opening credits to the new horror film Censor feature a montage of gory and violent scenes courtesy of what the British once referred to as “video nasties,” low-budget horror and exploitation films that trafficked in the offensive and obscene. Those expecting anything quite…

February 2, 2021
Credit: TIFF
by Matthew Lucas Film

Beans | Tracey Deer

It wouldn’t be a film festival without the requisite, ham-fisted coming-of-age drama, and for the 2020 Toronto International Film Festival, Tracey Deer’s Beans comfortably fits the bill. Set during the 1990 Mohawk uprising in Quebec, the film follows an Indigenous twelve-year-old girl nicknamed Beans…

September 23, 2020
In Review | Online film and music criticism