Despite being full of traditional Western tropes — including images of riding horseback through the dusty American plains and violent shootouts in dingy taverns…
Dead Shot opens in south Armagh, what the British soldiers call “Bandit Country,” in 1973 on a border ambush gone wrong. In pursuit of…
There is a literary sensibility to Juan Felipe Zuleta’s directorial debut, Unidentified Objects, that operates in the tradition of an invisible reality. A frenetic…
As of last year, 50 million people around the world considered themselves influencers. Whether it be a Twitch streamer playing video games, a TikTok…
Teenagers are awful — that’s an objective truth. Throw in a hefty dose of economic privilege, and you’ve got the recipe for some real…
In only a few short years, writer-director John Swab has churned out a handful of low-budget features that have rarely risen above the mantle…
Dead for a Dollar is another failed Western outing from Walter Hill, a well-intentioned but visually shoddy film that sags whenever its action disappears. After…
Out of the Blue feels like a bizarre cross between Murder, She Wrote and Cassandra’s Dream, punched up with a healthy dose of LaBute’s patented woman-hating toxicity.…
The Wheel isn’t always a smooth ride, but it ultimately clicks into place in its affecting final stretch. When contemplating filmmakers who would attempt…
As They Made Us leans heavily into flat sitcom tropes, neutering any potential feeling the family drama might have otherwise realized. Family dramedy As They…
Crisis is an overblown and unfocused bit of pap that fails dramatically, intellectually, and rhetorically. Armie Hammer’s very public current controversies are probably the only…
Falling is an unfussy, straightforward character piece, unable to reach any real highs but wise enough not to fall into the maudlin arc that is…
Jenny Slate is a gift to the world. The Sunlit Night is not. The world does not deserve Jenny Slate, nor does The Sunlit Night, an…